TY  - BOOK
AU  - Johnson,Laurie Ruth
TI  - The Art of Recollection in Jena Romanticism: Memory, History, Fiction, and Fragmentation in Texts by Friedrich Schlegel and Novalis 
T2  - Studien zur deutschen Literatur ,
SN  - 9783484181649
AV  - PT363.A4 
PY  - 2015///]
CY  - Tübingen : 
PB  - Max Niemeyer Verlag, 
KW  - Literary Studies
KW  - German Literature
KW  - 19th Century
KW  - Deutsch
KW  - Erinnerung
KW  - Poetik
KW  - Romantik
KW  - Schlegel, Friedrich von
KW  - LITERARY CRITICISM / European / German
KW  - bisacsh
N1  - Frontmatter --; Contents --; I. Introduction: Memory and its Objects in Early Romanticism --; II. Reconciliation and Fragmentation: The Early Romantic Memory Model --; III. From Recollection to Depiction: An Incipient Crisis of Memory and Representation in Eighteenth-Century Aesthetic Theory --; IV. Reconstructing Origins: Remembrance in German Idealism --; V. Novalis's Conceptualizations of Memory and Its Role in Literary and Philosophical Production --; VI. Memory and History in the Fragments of Friedrich Schlegel --; VII. Conclusion: Early Romanticism and Later Theories of Memory and Representation --; Bibliography --; Index of Names; restricted access; Issued also in print
N2  - This exploration of Romantic depictions of memory as a faculty of body as well as of mind analyzes representations of remembrance in Jena Romantic texts. When these texts pose questions about memory's employment and depiction in art - about the aestheticization of recollection - they reveal serious doubt about the explanatory ability of the philosophical, psychological and aesthetic discourses against which Romantic, and modern, thought is constructed; This study examines the ways in which memory is understood and aestheticized in Romantic texts, and argues that these works reveal serious doubt about the explanatory ability of the philosophical, psychological and aesthetic discourses against which modern thought is constructed. The Jena Romantics represent the experience and presentation of memory as privileged and creative, but also as not always capable of giving reliable information about the actual past. But rather than depicting signifiers with no stable referents, their portrayal of memory and remembering as creative displays a belief that meaning is accessible through its representations. This belief results in an emphasis on originality over imitation, but also blurs distinctions between memory and historiography. The form of the fragment embodies the dilemmas and possibilities that the Romantics associate with memory. The book includes a survey of theories of memory and how they contribute to a specifically Romantic model for memory that can lead to new interpretations of Romantic fragments; chapters on eighteenth-century aesthetic and psychological theories of memory that precede and influence Romantic texts, and on understandings of memory in critical and idealist philosophy; interpretations of the poetic and philosophical production of Novalis and Friedrich Schlegel; and a conclusion that demonstrates the persistence of the Romantic model for memory in contemporary memory theory and cultural production
UR  - https://doi.org/10.1515/9783110910544
UR  - https://www.degruyter.com/isbn/9783110910544
UR  - https://www.degruyter.com/document/cover/isbn/9783110910544/original
ER  -