TY - BOOK AU - Bartlett,Voon Pow AU - Bhagwati,Annette AU - Birken,Jacob AU - Bouwhuis,Jelle AU - Buurman,Nanne AU - Dornhof,Sarah AU - Gordon,Leah AU - Hopfener,Birgit AU - Karroum,Abdellah AU - Lutz,Barbara AU - Memou,Antigoni AU - Mersmann,Birgit AU - Milano,Ronit AU - Redmann,Janna-Mirl AU - Seliger,Isabel AU - Weiner,Andrew Stefan TI - Situating Global Art: Topologies - Temporalities - Trajectories T2 - Image SN - 9783839433973 AV - N72.G55 S58 2018 U1 - 700 PY - 2018///] CY - Bielefeld PB - transcript Verlag KW - Art and globalization KW - Congresses KW - Art and society KW - Art KW - Contemporary Art KW - Curating KW - Fine Arts KW - Globalization KW - Interculturalism KW - Postcolonialism KW - Theory of Art KW - Transculturality KW - ART / Criticism KW - bisacsh N1 - Frontmatter --; Acknowledgements --; Contents --; Introduction --; Situating Global Art. An Introduction --; Epistemological Frameworks --; Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art --; The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary --; The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事” --; “A Collage of Globalization” in Documenta11’s Exhibition Catalogue --; Institutional Politics --; Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects --; Gulf Labor: The Boycott as Political Activism and Institutional Critique --; You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale --; Generation 00: The Artist as Citizen --; Museological Narratives --; How Far How Near: A Global Assemblage in the Modern Art Museum --; Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating --; Curating as Transcultural Practice. documenta 12 and the “Migration of Form” --; Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization --; Practices of Self-Cultivation --; The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun --; Transculturally Entangled – Qiu Zhijie’s Concept of Total Art --; Globalization as an Artistic Strategy: The Case of Takashi Murakami --; The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating --; Biographies; restricted access N2 - In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception UR - https://doi.org/10.1515/9783839433973?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9783839433973 UR - https://www.degruyter.com/document/cover/isbn/9783839433973/original ER -