TY  - BOOK
AU  - Black,Colin
AU  - Bull,Hank
AU  - Filipowska,Roksana
AU  - Frohne,Ursula
AU  - Gheorghe,Irina
AU  - Glahn,Philip
AU  - Hagelüken,Andreas
AU  - Hahn,Nadine
AU  - Kim,Jee-Hae
AU  - Kogawa,Tetsuo
AU  - Mauruschat,Ania
AU  - Omlin,Sibylle
AU  - Peters,Maria
AU  - Pinto,Vito
AU  - Rauh,Franziska
AU  - Rosati,Lauren
AU  - Rothe,Sarah
AU  - Schönewald,Sarah
AU  - Singer,Nathalie
AU  - Thurmann-Jajes,Anne
AU  - Washington,Sarah
AU  - Wegener,Claudia
AU  - Zeising,Andreas
AU  - van Eikels,Kai
TI  - Radio as Art: Concepts, Spaces, Practices 
T2  - Schriftenreihe für Künstlerpublikationen
SN  - 9783839436172
AV  - PN1991.55 .R33 2019
U1  - 791.44 23
PY  - 2019///]
CY  - Bielefeld
PB  - transcript Verlag
KW  - Radio art
KW  - Congresses
KW  - Analogue Media
KW  - Art Activism
KW  - Art
KW  - Artistic Practices
KW  - Fine Arts
KW  - Media Aesthetics
KW  - Media Art
KW  - Media
KW  - Perception
KW  - Performance
KW  - Popular Art
KW  - Sound
KW  - Space
KW  - Transmission Art
KW  - ART / Film & Video
KW  - bisacsh
N1  - Frontmatter --; Contents --; Introduction --; The Editors --; “I am an artist. I am not anything else.”1: —Robert Adrian Smith, 1935–2015 --; The Reception of Electricity: Art as Radio in Literature, Painting, and Performance --; On Radioart --; I. RADIO SPACE --; The Museum as an Agent of Radio Art --; Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works --; The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic --; II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE --; The Radio and/as Digital Productivism --; Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio --; Radio Art in the “… Everyday Hand-to-Hand Struggle with Apparatuses?” --; Radio as a “Minor” Art Practice --; III. INSTITUTIONAL FRAMING AND AGENCY --; Radio as a Research Medium for Artistic and Oral-History-Based Research Projects --; Community Radio as Post-Capitalist Art --; Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar --; Radio as Art? Heart or Gall Bladder? --; IV. RADIO ART AS ACTION --; In Simulcast: Archigram and Radio Piracy in 1960s Britain --; The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA’s Oedipus, Tyrant --; Doing Radio Art: Direct Media Association’s Pacific Rim / Slow Scan --; Radio Prolife: Eavesdropping on Life --; V. WORDS-SOUND-MUSIC --; John Cage’s Cinema for the Ear --; Peter Roehr’s Sound Montages --; Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit --; Listen and Participate: The Work of the Hörspielmacher Paul Plamper --; Dead Spot in Art History --; Author Biographies; restricted access
N2  - Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation
UR  - https://doi.org/10.1515/9783839436172?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9783839436172
UR  - https://www.degruyter.com/document/cover/isbn/9783839436172/original
ER  -