TY  - BOOK
AU  - Brinckmann,Christine
AU  - Brinckman,Christine N.
TI  - Color and Empathy: Essays on Two Aspects of Film 
T2  - Film Culture in Transition
SN  - 9789089646569
U1  - 791 
PY  - 2014///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Colors in motion pictures
KW  - Empathy
KW  - Motion pictures
KW  - Film, Media, and Communication
KW  - Media Studies
KW  - ART / Film & Video
KW  - bisacsh
KW  - Film poetics
KW  - colour in film
KW  - documentary film
KW  - historical stylistics
KW  - viewer response
N1  - Frontmatter --; Table of Contents --; Preface --; Cinematic Color as Likeness and as Artifact --; Chords of Color --; The Tension of Colors in Colorized Silent Films --; Structural Film, Structuring Color: Jenny Okun’s Still Life --; Desert Fury: A Film Noir in Color --; The Work of the Camera: Beau travail --; Empathy with the Animal --; Motor Mimicry in Hitchcock --; Abstraction and Empathy in the Early German Avant-garde --; The Role of Empathy in Documentary Film: A Case Study --; Genre Conflict in Tracey Emin’s Top Spot --; Viewer Empathy and Mosaic Structure in Frederick Wiseman’s Primate --; Casta Diva: An Empathetic Reading --; Publication Data --; Index of Films --; Index of Subjects --; Film Culture in Transition; restricted access
N2  - This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film
UR  - https://doi.org/10.1515/9789048523269?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048523269
UR  - https://www.degruyter.com/document/cover/isbn/9789048523269/original
ER  -