TY  - BOOK
AU  - Hven,Steffen
TI  - Cinema and Narrative Complexity: Embodying the Fabula 
T2  - Film Culture in Transition
SN  - 9789462980778
U1  - 791.4301 
PY  - 2017///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Film Studies
KW  - Film, Media, and Communication
KW  - PERFORMING ARTS / Film & Video / General
KW  - bisacsh
KW  - Film-philosophy, cognitive film science, embodied cognition, narratology, 'complex narratives'
N1  - Frontmatter --; Table of Contents --; I. Introduction --; II. Cinema in the Interstices --; III. Narrative Ambiguity in the Classical Cinema --; IV. Modern(ist) Cinema: Logic of the Encounter --; V. Towards the Embodied Fabula --; VI. The Complexity of Complex Narratives --; VII. Memento and the Embodied Fabula --; VIII. Conclusions --; Bibliography --; Notes --; Acknowledgments --; Index; restricted access; Issued also in print
N2  - Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect
UR  - https://doi.org/10.1515/9789048530250?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048530250
UR  - https://www.degruyter.com/document/cover/isbn/9789048530250/original
ER  -