TY  - BOOK
AU  - Alimi,Benjamin
AU  - Anckarman,Tina
AU  - Belton,John
AU  - Carlos,Michelle
AU  - D'haeyere,Hilde
AU  - Delannoy,Thierry
AU  - Delpeut,Peter
AU  - Dixon,Bryony
AU  - Flueckiger,Barbara
AU  - Fossati,Giovanna
AU  - Føreland,Tone
AU  - Genaitay,Sonia
AU  - Gipponi,Elena
AU  - Gray,Frank
AU  - Jackson,Victoria
AU  - Kross,Annike
AU  - Lameris,Bregt
AU  - Op den Kamp,Claudy
AU  - Peterson,Jennifer
AU  - Pfluger,David
AU  - Pierotti,Federico
AU  - Rongen-Kaynakci,Elif
AU  - Ruedel,Ulrich
AU  - Snoyman,Natalie
AU  - Street,Sarah
AU  - Thompson,Kirsten Moana
AU  - Tsuneishi,Fumiko
AU  - Turquety,Benoît
AU  - Watkins,Liz
AU  - Yumibe,Joshua
TI  - The Colour Fantastic: Chromatic Worlds of Silent Cinema 
T2  - Framing Film
SN  - 9789462983014
AV  - PN1995.9.C546 C656 2018
U1  - 791.4301 
PY  - 2018///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Color motion pictures
KW  - History and criticism
KW  - Silent films
KW  - Film, Media and Communication
KW  - History of Film
KW  - PERFORMING ARTS / Film & Video / History & Criticism
KW  - bisacsh
KW  - Silent film, colour, cinema, archive, intermediality
N1  - Frontmatter --; TABLE OF CONTENTS --; Introduction --; Prologue. Questions of Colours: Taking Sides --; NONFICTION AND AMATEUR CINEMA --; 1. Fireworks and Carnivals: Applied and Natural Colours in Italian Home Movies --; 2. Liminal Perceptions: Intermediality and the Exhibition of Nonfiction Film --; 3. Rough Seas: The Blue Waters of Early Nonfiction Film --; NATURAL-COLOUR PROCESSES: THEORY AND PRACTICE --; 4. 'Taking the color out of color': Two-Colour Technicolor, The Black Pirate, and Blackened Dyes --; 5. Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology --; 6. Ziegfeldized Slapstick, Useful Comedy: Mack Sennett's Slapstick Comedies under the Influence of Natural Colour --; 7. Kinemacolor and Kodak: The Enterprise of Colour --; INTERMEDIALITY AND ADVERTISING --; 8. Rainbow Ravine: Colour and Animated Advertising in Times Square --; 9. Kodachrome's Hope: The Making and Promotion of McCall Colour Fashion News --; 10. Chromatic Objects: Colour Advertising and French Avant-garde Films of the 1920s --; ARCHIVING AND RESTORATION: EARLY DEBATES AND CURRENT PRACTICES --; 11. La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926-1927 --; 12. A Material-Based Approach to the Digitization of Early Film Colours --; ARCHIVAL PANELS (EDITED TRANSCRIPTS) --; Preservation, Restoration, Presentation, and Policy --; Digital Restoration --; AUTHORS' BIOGRAPHIES --; BIBLIOGRAPHY --; ACKNOWLEDGEMENTS --; INDEX; restricted access; Issued also in print
N2  - Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in color as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anthology brings together international experts to explore a diverse range of themes that they hope will inspire the next twenty years of research on color in silent film. Taking an interdisciplinary approach, the book explores archival restoration, color film technology, color theory, and experimental film alongside beautifully saturated images of silent cinema
UR  - https://doi.org/10.1515/9789048532988?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048532988
UR  - https://www.degruyter.com/cover/covers/9789048532988.jpg
ER  -