TY  - BOOK
AU  - Strutt,Daniel
AU  - Strutt,Dan
TI  - The Digital Image and Reality: Affect, Metaphysics and Post-Cinema 
T2  - Film Culture in Transition
SN  - 9789048538652
U1  - 791.4301 
PY  - 2019///]
CY  - Amsterdam
PB  - Amsterdam University Press
KW  - Mass media
KW  - Technological innovations
KW  - Motion pictures
KW  - Philosophy
KW  - AUP Wetenschappelijk
KW  - Amsterdam University Press
KW  - Art and Material Culture
KW  - Film Studies
KW  - Film, Media, and Communication
KW  - Media Studies
KW  - ART / Digital
KW  - bisacsh
KW  - Digital, affect, metaphysics, post-cinematic, ontology
N1  - Frontmatter --; Contents --; Acknowledgements --; 1. Cinema’s Foundational Frissons --; 2. The Affective Synthesis of Reality by Digital Images --; 3. ‘A Digital Frontier to Reshape the Human Condition’ : Virtual Border Spaces and Affective Embodiment in Tron and Enter the Void --; 4. Dynamic Digital Spaces, Bodies, and Forces --; 5. Reality Sutures, Simulation, and Digital Realism --; 6. A Digital Nihilism: Ethical Reflections --; Bibliography --; Index; restricted access
N2  - The media technologies that surround and suffuse our everyday life profoundly affect our relation to reality. Philosophers since Plato and Aristotle have sought to understand the complex influence of apparently simple tools of expression on our understanding and experience of the world, time, space, materiality and energy. The Digital Image and Reality takes up this crucial philosophical task for our digital era. This rich yet accessible work argues that when new visual technologies arrive to represent and simulate reality, they give rise to nothing less than a radically different sensual image of the world. Through engaging with post-cinematic content and the new digital formats in which it appears, Strutt uncovers and explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity. Ultimately, he prompts the reader to ask whether the impact of digital image processes might go even beyond our subjective consciousness of reality, towards the synthesis of objective actuality itself
UR  - https://doi.org/10.1515/9789048538652?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048538652
UR  - https://www.degruyter.com/document/cover/isbn/9789048538652/original
ER  -