TY  - BOOK
AU  - Baschiera,Stefano
AU  - Butler,Alison
AU  - Connolly,Maeve
AU  - Cooper,Sarah
AU  - Gibson,Sandra
AU  - Murphy,Jill
AU  - Nardelli,Matilde
AU  - North,Kirstie
AU  - Pantenburg,Volker
AU  - Pethő,Ágnes
AU  - Rascaroli,Laura
AU  - Recoder,Luis
AU  - Rodowick,D.N.
AU  - Uroskie,Andrew V.
AU  - Åkervall,Lisa
TI  - Theorizing Film Through Contemporary Art: Expanding Cinema 
T2  - Film Culture in Transition
SN  - 9789048542024
U1  - 791.43657 
PY  - 2020///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Art and motion pictures
KW  - Motion pictures
KW  - Philosophy
KW  - Art and Material Culture
KW  - Film Studies
KW  - Film, Media, and Communication
KW  - Media Studies
KW  - ART / Film & Video
KW  - bisacsh
KW  - Film Theory, Installation Art, Objectness
N1  - Frontmatter --; Table of Contents --; List of Illustrations --; Acknowledgments --; Foreword: Courtesy of the Artists --; Introduction: On Cinema Expanding --; Part One Materialities --; 1 Cinema as (In)Visible Object --; 2 Objects in Time --; 3 Materializing the Body of the Actor --; 4 How to Spell ‘Film’ --; Part Two Immaterialities --; 5 The Magic of Shadows --; 6 Douglas Gordon and the Gallery of the Mind --; 7 A Throw of the Dice Will Never Abolish Chance --; Part Three Temporalities --; 8 The Photo-Filmic Diorama --; 9 The Cinematic Dispositif and Its Ghost --; 10 Time/Frame: On Cinematic Duration --; Part Four The Futures of the Image --; 11 Interactivity without Control --; 12 Post-Cinematic Unframing --; 13 Absolute Immanence --; Index; restricted access
N2  - As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions
UR  - https://doi.org/10.1515/9789048542024?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048542024
UR  - https://www.degruyter.com/document/cover/isbn/9789048542024/original
ER  -