TY  - BOOK
AU  - Bauer,Dominique
AU  - Brevik-Zender,Heidi
AU  - Kouteinikova,Inessa
AU  - Mencfel,Michał
AU  - Murgia,Camilla
AU  - O’Carroll,Aisling
AU  - Pergam,Elizabeth A.
AU  - Prina,Daniela N.
AU  - Rosen,Jeff
AU  - Todorovic,Jelena
AU  - Yu,Shijia
TI  - The Home, Nations and Empires, and Ephemeral Exhibition Spaces: 1750-1918 
T2  - Spatial Imageries in Historical Perspective
SN  - 9789048542925
U1  - 700 23
PY  - 2021///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Ephemeral art
KW  - Exhibitions
KW  - History
KW  - Art and Material Culture
KW  - Cultural Studies
KW  - Early Modern Studies
KW  - History, Art History, and Archaeology
KW  - Modern History
KW  - ART / History / Romanticism
KW  - bisacsh
KW  - ephemeral exhibition spaces, domestic spaces, empire, nation state, otherness
N1  - Frontmatter --; Table of Contents --; Introduction : Ephemeral Exhibition Spaces and the Dynamic of Historical Liminalities --; I The Home --; 1. Panorama as Critical Restoration : Examining the Ephemeral Space of Viollet-le-Duc’s Study at La Vedette --; 2. An Ephemeral Museum of Decorative and Industrial Arts : Charle Albert’s Vlaams Huis --; 3. Expanding Interiors : Architectural Photographs of the Countess de Castiglione --; II Bygone Nations and Empires under Construction: Political Imaginations --; 4. The Land that Never Was : Liminality of Existence and the Imaginary Spaces in the Archbishopric of Karlovci --; 5. The Theatre of Affectionate Hearts : Izabela Czartoryska’s Musée des Monuments Polonais in Puławy (1801–1831) --; 6. A Burning Mind, a Dream Space, a “Fantastic Exhibition” --; III England and the British Empire: Civil Society, Civil Service, and Ephemeral Exhibition Spaces --; 7. An Ephemeral Display within an Ephemeral Museum : The East India Company Contribution to the Manchester Art Treasures Exhibition of 1857 --; 8. Julia Margaret Cameron’s Railway Station Exhibition : A Private Gallery in the Public Sphere --; 9. Paper Monument : The Paradoxical Space in the English Paper Peepshow of the Thames Tunnel, 1825–1843 --; Index; restricted access
N2  - This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing
UR  - https://doi.org/10.1515/9789048542925?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048542925
UR  - https://www.degruyter.com/document/cover/isbn/9789048542925/original
ER  -