TY  - BOOK
AU  - Baker-Bates,Piers
AU  - Bates,Piers
AU  - Brooke,Irene
AU  - Carrabino,Danielle
AU  - Ferrari,Sarah
AU  - Jackson,Philippa
AU  - Maxson,Brian
AU  - Pattanaro,Alessandra
AU  - Pattenden,Miles
AU  - Richardson,Carol
AU  - Schraven,Minou
AU  - True,Thomas
AU  - Witte,Arnold
TI  - Portrait Cultures of the Early Modern Cardinal
T2  - Visual and Material Culture, 1300 –1700
SN  - 9789048544561
AV  - N8180 .P67 2021
U1  - 704.9482 23
PY  - 2021///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Cardinals in art
KW  - Cardinals
KW  - Portraits
KW  - History and criticism
KW  - Christianity and art
KW  - Catholic Church
KW  - Art and Material Culture
KW  - Early Modern Studies
KW  - History, Art History, and Archaeology
KW  - ART / History / Renaissance
KW  - bisacsh
KW  - Cardinals, Early Modern, Portrait, Catholic Church, Portraiture
N1  - Frontmatter --; Table of Contents --; Illustrations --; Abbreviations --; Acknowledgements --; Introduction: Cardinals and their Images --; 1. Portraying the Princes of the Church --; 2. The Early Modern Cardinal --; Part I – Individuality and Identity: Florence and Rome --; 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence --; 4. Dead Ringers: Cardinals and their Effigies, 1400–1520 --; Part II – Divided Loyalties: Venice and Rome --; 5. The Role of Cardinals’ Portraits in Venice: The Case of the Grimani Family and Some Thoughts on the Correr MS Morosini Grimani 270 --; 6. Role Playing: Cardinals in Historical Action in Leandro Bassano’s Honorius III Approving the Rule of St. Dominic in 1216 and the War of the Interdict --; Part III – Collecting and Display: Portraits and Worldly Goods --; 7. Renaissance Cardinals and Pontifical Mules --; 8. Portraits as Symbols: Cardinals’ Portraits in the Roman and Local Collections of Some Counter-Reformation Cardinals --; 9. Portraits as a Sign of Possession: Cardinals and their Protectorships in Early Modern Rome --; Part IV – Post-Tridentine Piety: The Devout Cardinal --; 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent --; 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions --; 12. Miracle-Working Portraits of a Cardinal Saint: Managing the Devotional Medals of San Carlo Borromeo --; Conclusion: Cardinal Portraits beyond Italy --; 13. Portraying the Ideal Spanish Tridentine Prelate --; Index; restricted access
N2  - The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals’ imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals’ unique social and political position
UR  - https://doi.org/10.1515/9789048544561?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048544561
UR  - https://www.degruyter.com/document/cover/isbn/9789048544561/original
ER  -