TY  - BOOK
AU  - Verstraten,Peter
TI  - Dutch Post-war Fiction Film through a Lens of Psychoanalysis
T2  - Framing Film
SN  - 9789048551729
AV  - PN1993.5.N4 V47 2021
U1  - 791.4309492 23
PY  - 2021///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Motion pictures
KW  - History
KW  - 20th century
KW  - Netherlands
KW  - Psychological aspects
KW  - Psychoanalysis and motion pictures
KW  - Dutch and The Netherlands
KW  - Film Studies
KW  - Film, Media, and Communication
KW  - Films, cinema
KW  - Individual film directors, film-makers
KW  - Psychoanalytical and Freudian psychology
KW  - Psychology
KW  - Transnational and Global Studies
KW  - ART / History / Modern (late 19th Century to 1945)
KW  - bisacsh
KW  - Dutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia
N1  - Frontmatter --; TABLE OF CONTENTS --; Preface --; Introduction --; CHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors --; CHAPTER 2. In the Name of Fathers – Overbearing, Flying, or Otherwise --; CHAPTER 3. That Obscure Object of Desire --; CHAPTER 4. From Ordinary Men and Rabbles to Heroes --; CHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic --; CHAPTER 6. Passages à l’Acte --; CHAPTER 7. From Historical Discomfort to Historical Trauma --; CHAPTER 8. Aphanisis --; CHAPTER 9. Hysteria, Neurosis, Perversion --; Epilogue --; BIBLIOGRAPHY --; FILMOGRAPHY --; INDEX OF CONCEPTS --; INDEX OF FILMS --; INDEX OF NAMES; restricted access
N2  - "Dutch Post-war Fiction Film through a Lens of Psychoanalysis² is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis)
UR  - https://doi.org/10.1515/9789048551729?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048551729
UR  - https://www.degruyter.com/document/cover/isbn/9789048551729/original
ER  -