TY  - BOOK
AU  - Kim,Soyoung
TI  - Korean Cinema in Global Contexts: Post-Colonial Phantom, Blockbuster and Trans-Cinema 
T2  - Critical Asian Cinemas
SN  - 9789048553112
PY  - 2022///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Motion pictures
KW  - Korea
KW  - History
KW  - Asian history
KW  - East Asia and North East Asia
KW  - Ethnic and Racial Studies
KW  - Film Studies
KW  - Film history, theory or criticism
KW  - Film, Media, and Communication
KW  - Gender and Sexuality Studies
KW  - South Korea
KW  - Transnational and Global Studies
KW  - ART / Film & Video
KW  - bisacsh
KW  - Trans-Cinema in translation and in media, comparative film studies in Inter-Asia contexts, phantom cinema of postcolonial archive
N1  - Frontmatter --; Table of Contents --; Acknowledgements --; Introduction --; Part 1 From Pre-Cinematic Culture to Trans-Cinema --; 1. Cartography of Catastrophe : Precolonial Surveys, Postcolonial Vampires and the Plight of Korean Modernity --; 2. The State of Fantasy in Emergency: Fantasmatic Others in South Korean Film --; 3. Modernity in Suspense: The Logic of Fetishism in Korean Cinema --; 4. “Do Not Include Me in Your ‘Us’” : Peppermint Candy and the Politics of Difference --; 5. “Cine-mania” or Cinephilia: Film Festivals and the Identity Question --; 6. The Birth of the Local Feminist Sphere in the Global Era : Yeoseongjang and “Trans-Cinema” --; Part 2 Korean Cinema in a Trans-Asia Framework --; 7. Inter-Asia Comparative Framework : Postcolonial Film Historiography in Taiwan and South Korea --; 8. Postcolonial Genre as Contact Zone: Hwalkuk and Action Cinema --; 9. Geopolitical Fantasy : Continental (Manchurian) Action Movies during the Cold War Era --; 10. Anagram of Inter-Asian Korean Film: The Case of My Sassy Girl --; 11. Comparative Film Studies : Detour, Demon of Comparison and Dislocative Fantasy --; Index; restricted access
N2  - Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history
UR  - https://doi.org/10.1515/9789048553112?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048553112
UR  - https://www.degruyter.com/document/cover/isbn/9789048553112/original
ER  -