TY  - BOOK
AU  - Baker,Tawrin
AU  - Bont,Anneke de
AU  - Bossche,Jolien Van den
AU  - Campbell,Angela
AU  - Dekoninck,Ralph
AU  - Ellinghaus,Julia
AU  - Joffe,Stephen N.
AU  - Kruse,Britta-Juliane
AU  - Leitch,Stephanie
AU  - Margócsy,Dániel
AU  - Monty,Emily
AU  - Mûelenaere,Gwendoline de
AU  - Noyes,Ruth
AU  - Noyes,Ruth Sargent
AU  - Porras,Stephanie
AU  - Remmert,Volker R.
AU  - Somos,Mark
TI  - Reassessing Epistemic Images in the Early Modern World
T2  - Scientiae Studies
SN  - 9789048553532
U1  - 769.9031 23//eng/20230112eng
PY  - 2022///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Art and Material Culture
KW  - Early Modern Studies
KW  - History, Art History, and Archaeology
KW  - ART / Prints
KW  - bisacsh
KW  - early modern studies, visual studies, material culture, print culture
N1  - Frontmatter --; Table of Contents --; 1. Prologue --; 2. Introduction --; Part 1 Approaches to Print Matrices --; 3. Sequencing Vesalius’s De Humani Corporis Fabrica --; 4. Meticulous Matrices : Building a Chronology of Albrecht Dürer’s Meisterstiche Impressions through the Analysis and Documentation of Microscopic Scratches in His Engraved Plates --; 5. Digital Resuscitation of the Officina Plantiniana’s Woodblock Collection : Goals, Approaches, and Results --; Part 2 Imprints as Instruments --; 6. Academic Print Practices in the Southern Netherlands : Allegory and Emblematics as Epistemic Tools --; 7. Visual Worlds on Early Modern Scientific Instruments: Types and Messages --; 8. Visual Tools and Searchable Science in Early Modern Books --; Part 3 Imprint, Knowledge, and Affect --; 9. The Hydraulics of the Soul: Jacobus Meilingius’s Allegorical Schemata --; 10. Images of the Eye from Vesalius to Fabricius ab Aquapendente --; 11. Illustrating the Vernacular Body : Juan Valverde de Amusco and the Art of Embodied Anatomy --; 12. Epilogue --; Bibliography --; Index; restricted access
N2  - This edited collection of papers explores from an interdisciplinary perspective the role of images and objects in early modern knowledge-making practices with an emphasis on mapping methodological approaches against printed pictures and things. The volume brings together work across diverse printed images, objects, and materials produced c. 1500-1700, as well as well as works in the ambit of early modern print culture, to reframe a comparative history of the rise of the ‘epistemic imprint’ as a new visual genre at the onset of the scientific revolution. The book includes contributions from the perspective of international scholars and museum professionals drawing on methodologies from a range of fields
UR  - https://doi.org/10.1515/9789048553532?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048553532
UR  - https://www.degruyter.com/document/cover/isbn/9789048553532/original
ER  -