TY  - BOOK
AU  - Harris,Rachel
TI  - Soundscapes of Uyghur Islam
T2  - Framing the global
SN  - 9780253050199
AV  - BP63.C52 X554 2020
U1  - 297.082/09516 23
PY  - 2020///]
CY  - Bloomington, Indiana
PB  - Indiana University Press
KW  - Muslims
KW  - China
KW  - Xinjiang Uygur Zizhiqu
KW  - Social conditions
KW  - Muslim women
KW  - Uighur (Turkic people)
KW  - Social life and customs
KW  - Music
KW  - Musulmans
KW  - Chine
KW  - Xinjiang
KW  - Conditions sociales
KW  - Musulmanes
KW  - Ouïgour (Peuple turc)
KW  - Mœurs et coutumes
KW  - Musique
KW  - RELIGION
KW  - Islam
KW  - Rituals & Practice
KW  - bisacsh
KW  - Ethnic relations
KW  - fast
KW  - Xinjiang Uygur Zizhiqu (China)
KW  - Xinjiang (Chine)
KW  - Relations interethniques
N1  - Includes bibliographical references and index; 1. Sound, place, and religious revival -- Interlude 1: Rabiya Acha's story -- 2. Affective rituals in a Uyghur village -- 3. Text and performance in the Hikmät of Khoja Ahmad Yasawi -- 4. Style and meaning in the recited Qur'an -- Interlude 2: Tutiwalidu (they'll arrest you) -- 5. Mobile Islam : mediation and circulation -- 6. Song and dance and the sonic territorialization of Xinjiang -- 7. Erasure and trauma
N2  - "China's Xinjiang Uyghur Autonomous Region is experiencing a crisis of securitization and mass incarceration. In Soundscapes of Uyghur Islam, author Rachel Harris examines the religious practice of a group of Uyghur women in a small village now engulfed in this chaos. Despite their remote location, these village women are mobile and connected, and their religious soundscapes flow out across transnational networks. Harris explores the spiritual and political geographies they inhabit, moving outward from the village to trace connections with Mecca, Istanbul, Bishkek, and Beijing. Sound, embodiment, and territoriality illuminate both the patterns of religious change among Uyghurs and the policies of cultural erasure used by the Chinese state to reassert its control over the land the Uyghurs occupy. By drawing on contemporary approaches to the circulation of popular music, Harris considers how various forms of Islam that arrive via travel and the Internet come into dialogue with local embodied practices. Synthesized together, these practices create new forms that facilitate powerful, affective experiences of faith"--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2568372
ER  -