TY  - BOOK
AU  - Pope-Hennessy,John Wyndham
TI  - The Portrait in the Renaissance
T2  - The A. W. Mellon Lectures in the Fine Arts
SN  - 9780691252131
U1  - 757/.9 
PY  - 2023///]
CY  - Princeton, NJ : 
PB  - Princeton University Press, 
KW  - Portrait painting, Renaissance
KW  - Portraits, Renaissance
KW  - ART / Subjects & Themes / Portraits
KW  - bisacsh
KW  - Angiolini Bartolo di Angiolino
KW  - Bisticci, Vespasiano da
KW  - Botticelli (Florence)
KW  - Botticelli
KW  - Brancacci Frescoes (Florence), *6, *7
KW  - Brancacci, Antonio
KW  - Brunelleschi, Filippo
KW  - Bruni, Leonardo
KW  - Buggiano
KW  - Buggiano: Bust of Brunelleschi
KW  - Bust of Brunelleschi (Florence)
KW  - Consecration of the Carmine (Florence)
KW  - Dante Alighieri (Giotto)
KW  - Donatello(?) (Florence)
KW  - Drawings after Masaccio
KW  - Frescoes (Florence)
KW  - Frescoes
KW  - Giotto: Frescoes
KW  - Good Government (Siena)
KW  - Latini, Brunetto (Giotto)
KW  - Lorenzetti: Good Government
KW  - Masaccio (Florence), *6, *7
KW  - Masaccio (Florence)
KW  - Masaccio, *6
KW  - Masaccio
KW  - Masaccio: Raising of the Son of Theophilus, *6
KW  - Michelangelo: Drawings after Masaccio
KW  - Raising of the Son of Theophilus, *6
KW  - Ridolfi, Lorenzo (Masaccio)
KW  - Uzzano, Niccolò da
KW  - Vasari, Giorgio
N1  - Frontmatter --; Contents --; Preface --; List of Illustrations --; I The Cult of Personality --; II Humanism and the Portrait --; III The Motions of the Mind --; IV The Court Portrait --; V Image and Emblem --; VI Donor and Participant --; Notes --; Index; restricted access
N2  - A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historiansIn this book, John Pope-Hennessy provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance. Pope-Hennessy shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated, a concept first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Sandro Botticelli, Antonio del Pollaiuolo, Giovanni Bellini, and Antonello da Messina. Pope-Hennessy goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character
UR  - https://doi.org/10.1515/9780691252131?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9780691252131
UR  - https://www.degruyter.com/document/cover/isbn/9780691252131/original
ER  -