TY - BOOK AU - Varnedoe,Kirk AU - Gopnik,Adam AU - Metro,Judy AU - Powell,Earl A. TI - Pictures of Nothing: Abstract Art since Pollock T2 - The A. W. Mellon Lectures in the Fine Arts SN - 9780691252964 AV - N6512.5.A2 V37 2006 U1 - 709.04/052 22 PY - 2023///] CY - Princeton, NJ : PB - Princeton University Press, KW - Art, Abstract KW - United States KW - Art, American KW - 20th century KW - ART / History / Contemporary (1945-) KW - bisacsh KW - Abstract art KW - Abstract expressionism KW - Adolf von Hildebrand KW - Aerial perspective KW - Aestheticism KW - Andy Warhol KW - Annie Hall KW - Anti-art KW - Art and Illusion KW - Art history KW - Barnett Newman KW - Brice Marden KW - Calligraphy KW - Carl Andre KW - Classicism KW - Clement Greenberg KW - Clyfford Still KW - Constantin Brâncu?i KW - Cubism KW - Cy Twombly KW - Dan Flavin KW - David Sylvester KW - Donald Judd KW - Drip painting KW - Edvard Munch KW - Ellsworth Kelly KW - Ernst Gombrich KW - Eva Hesse KW - Feminist art KW - Figurative art KW - Fine art KW - Frank Stella KW - Geometric abstraction KW - Gerhard Richter KW - Illusionism (art) KW - J. M. W. Turner KW - Jackson Pollock KW - Jasper Johns KW - Josef Albers KW - Kirk Varnedoe KW - Lacquer KW - Lecture KW - Marcel Duchamp KW - Mark Rothko KW - Max Bill KW - Michael Fried KW - Minimalism KW - Modern art KW - Modernism KW - National Gallery of Art KW - New Thought KW - Pablo Picasso KW - Peter Eisenman KW - Peter Halley KW - Pop art KW - Postmodernism KW - Rachel Lachowicz KW - Rachel Whiteread KW - Reductive art KW - Richard Serra KW - Robert Rauschenberg KW - Roy Lichtenstein KW - Satire KW - Sherrie Levine KW - Smithsonian Institution KW - Sol LeWitt KW - Terry Winters KW - Whitney Museum of American Art KW - Willem de Kooning KW - Work of art N1 - Frontmatter --; Contents --; Foreword --; Preface --; Note to the Reader --; 1. Why Abstract Art? --; 2. Survivals and Fresh Starts --; 3. Minimalism --; 4. After Minimalism --; 5. Satire, Irony, and Abstract Art --; 6. Abstract Art Now --; Acknowledgments --; Index --; Photography and Copyright Credits; restricted access N2 - An illuminating exploration of the meaning of abstract art by acclaimed art historian Kirk Varnedoe"What is abstract art good for? What's the use—for us as individuals, or for any society—of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the past five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and as the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death.With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction—showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour through a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works.Please note: All images in this ebook are presented in black and white and have been reduced in size UR - https://doi.org/10.1515/9780691252964?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9780691252964 UR - https://www.degruyter.com/document/cover/isbn/9780691252964/original ER -