TY - BOOK AU - Koerner,Joseph Leo TI - Bosch and Bruegel: From Enemy Painting to Everyday Life T2 - The A. W. Mellon Lectures in the Fine Arts SN - 9780691253008 AV - ND653.B65 K64 2016 U1 - 759.9492/09031 23 PY - 2023///] CY - Princeton, NJ : PB - Princeton University Press, KW - Genre painting, Dutch KW - 16th century KW - ART / Individual Artists / General KW - bisacsh KW - Achievement (heraldry) KW - Allegory KW - Allusion KW - Altarpiece KW - Ambiguity KW - Anathema KW - Anime KW - Art history KW - Beauty KW - Beret KW - Bruegel (institution) KW - Caricature KW - Chapter 2 KW - Chiaroscuro KW - Christian martyrs KW - Class action KW - Class conflict KW - Conflagration KW - Crime against nature KW - Cristofano Allori KW - Description KW - Early Netherlandish painting KW - Emblem KW - Embroidery KW - Engraving KW - Everyday life KW - Futures studies KW - Genre painting KW - Georgius Agricola KW - Gluttony KW - Hatred KW - Hieronymus Bosch KW - High Art KW - Holy Roman Empire KW - Humility KW - Hyle KW - James Strachey KW - Jan van Eyck KW - Jewish hat KW - Judeo-Christian KW - Karel van Mander KW - Library KW - Literature KW - Mass of Saint Gregory KW - Michael Wolgemut KW - Museo del Prado KW - Museo di Capodimonte KW - Mussel KW - Natural and legal rights KW - Nobility KW - Picture plane KW - Pieter Bruegel the Elder KW - Pity KW - Pogrom KW - Poiesis KW - Proverb KW - Royal Library of Belgium KW - Second Letter (Plato) KW - Self-control KW - Self-portrait KW - Self-preservation KW - Spontaneous generation KW - Symptom KW - Tavern KW - The Hay Wain KW - The Land of Cockaigne (Bruegel) KW - The Seven Deadly Sins and the Four Last Things KW - Wallraf-Richartz Museum KW - Woodcut KW - Writing N1 - Frontmatter --; Contents --; Preface --; Acknowledgments --; Introduction. Parallel Worlds --; Chapter 1 In the Art- Historical Museum --; Chapter 2 Life Time --; Chapter 3 World Time --; Chapter 4 From Bosch to Bruegel --; Part I. Hieronymus Bosch --; Chapter 5 Enmity --; Chapter 6 Among the Idols --; Chapter 7 The Unspeakable Subject --; Chapter 8 Self- Portraiture --; Part II. Pieter Bruegel the Elder --; Chapter 9 History --; Chapter 10 Culture --; Chapter 11 Nature --; Notes --; Index --; Photography and Copyright Credits; restricted access N2 - A bold new interpretation of two northern Renaissance mastersIn this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DCPlease note: All images in this ebook are presented in black and white and have been reduced in size UR - https://doi.org/10.1515/9780691253008?locatt=mode:legacy UR - https://www.degruyter.com/isbn/9780691253008 UR - https://www.degruyter.com/document/cover/isbn/9780691253008/original ER -