TY  - BOOK
AU  - Krass,Urte
TI  - The Portuguese Restoration of 1640 and Its Global Visualization: Political Iconography and Transcultural Negotiation 
T2  - Visual and Material Culture, 1300 –1700
SN  - 9789048551750
AV  - N7126 .K73 2023
U1  - 709.469 23/eng/20230816
PY  - 2023///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Art
KW  - Political aspects
KW  - History
KW  - Portugal
KW  - 17th century
KW  - Art and Material Culture
KW  - Early Modern Studies
KW  - History, Art History, and Archaeology
KW  - ART / History / Renaissance
KW  - bisacsh
KW  - Global art history, political iconography, Early Modern History, Portuguese Restoration, visual studies, political history
N1  - Frontmatter --; Table of Contents --; List of Illustrations --; Acknowledgments --; Introduction --; 1. Signs, Miracles, and Conspiratorial Images --; 2. The Lisbon Miracle of the Crucifix (1 December 1640) --; 3. The New King’s Oath (15 December 1640) --; 4. Acclamations --; 5. Lisbon --; 6. Images in Diplomatic Service --; 7. The Imaculada as Portugal’s Patroness --; 8. The Funeral Apparatus of John IV (November 1656) --; 9. The Drawings in the Treatise of António de São Thiago (Goa 1659) --; 10. Ivory Good Shepherds as Visualizations of the Portuguese Restoration --; Conclusion --; Bibliography --; Index; restricted access
N2  - The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functioned within the intercontinental communication processes in the Portuguese Empire. The results challenge the conventional notion of center and periphery and reveal unforeseen entanglements as well as an unexpected agency of imagery from the remotest regions under Portuguese control. The book breaks new ground in linking the field of early modern political iconography with transcultural art history and visual studies
UR  - https://doi.org/10.1515/9789048551750?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9789048551750
UR  - https://www.degruyter.com/document/cover/isbn/9789048551750/original
ER  -