TY  - BOOK
AU  - Badley,Allan
AU  - Camp,Gregory
AU  - Crawshaw,Sandra
AU  - Dunford,Eliana
AU  - Mays,Lawrence
AU  - McRae,Christopher
AU  - Morris,Imogen
AU  - Moyle,Richard
AU  - November,Nancy
AU  - Oram,Celeste
TI  - Music, Society, Agency
T2  - Studies in the History and Sociology of Music
SN  - 9798887193953
AV  - ML3916 
U1  - 306.4/842 23/eng/20230922
PY  - 2023///]
CY  - Boston, MA
PB  - Academic Studies Press
KW  - Agent (Philosophy)
KW  - DLC
KW  - Music
KW  - Performance
KW  - Social aspects
KW  - MUSIC / Ethnomusicology
KW  - bisacsh
KW  - agency
KW  - creative practice
KW  - cross-cultural musicology
KW  - cultural history
KW  - cultural studies
KW  - ethnomusicology
KW  - musicology
KW  - opera studies
KW  - performance studies
KW  - society
N1  - Frontmatter --; Contents --; Introduction --; Part One Cultural and Cross-Cultural Agencies --; The Year the Music Died: Agency in the Context of Demise on Takū, Papua New Guinea --; His Majesty’s Theatre: A Hub of Musical and Theatrical Entertainment in Colonial Dunedin --; “In the Tiki Tiki Tiki Tiki Tiki Room:” Musicalizing the South Pacific in Disney Theme Parks --; Part Two Vocal Music’s Agencies --; Figaro Transmuted through the Agency of Neapolitan Social and Political Creatives: Niccolò Piccinni’s La serva onorata --; Josephinism and Leopold Koželuh’s Masonic Cantata Joseph der Menschheit Segen --; Agency, Politics, and Opera Arrangements in Fanny Arnstein’s Salons --; Part Three Performance and Agency --; Reflections on Aladdin’s Lamp: Creative Practice Research in-and-through Historically Informed Performance --; When Your Heart is Set on Both Broadway and the Met: An Exploration of Vocal Technique in Contemporary Musical Theater --; Part Four Composition and Agency --; Ratner’s Topoi and the Cultural Middlebrow in Britten’s First Suite for Cello --; Provincializing Practice: Agency and Positionality in Cross-Cultural Music in Aotearoa New Zealand --; Contributors --; Index; restricted access
N2  - Musicologists have increasingly taken a wide-angled lens on the study of music in society, to explore how it can be intertwined with issues of politics, gender, religion, race, psychology, memory, and space. Recent studies of music in connection with society take in a variety of musical phenomena from diverse periods and genres-medieval, classical, opera, rock, etc. This ten-chapter book not only asks how music and society are, and have been, intertwined and mutually influential, but it also examines the agents behind these connections: who determines musical cultures in society? Which social groups are represented in particular musical contexts? Which social groups are silenced or less well represented in music’s histories, and why?
UR  - https://doi.org/10.1515/9798887193953
UR  - https://www.degruyter.com/isbn/9798887193953
UR  - https://www.degruyter.com/document/cover/isbn/9798887193953/original
ER  -