TY  - BOOK
AU  - Franklin,M.I.
TI  - Change the Record - Punk Women Music Politics
T2  - Edition Kulturwissenschaft
SN  - 9783837641714
PY  - 2024///]
CY  - Bielefeld
PB  - transcript Verlag
KW  - Punk culture
KW  - Political aspects
KW  - Punk rock music
KW  - Women punk rock musicians
KW  - Cultural Studies
KW  - Gender Studies
KW  - Gender
KW  - International Relations
KW  - Music
KW  - Performance Art
KW  - Pop Music
KW  - Popular Culture
KW  - Riot Grrrls
KW  - World Politics
KW  - SOCIAL SCIENCE / Popular Culture
KW  - bisacsh
N1  - Frontmatter --; Table of Contents --; LIST OF FIGURES --; ACKNOWLEDGEMENTS --; 1. INTRO --; To the Front --; Beyond Fanstalgia --; What Makes Punk Music (Not)? --; Reader Notes --; Which Books and Why --; Chapter Outline --; Setting Out --; 2. MUSICIANS AS MEMOIRISTS --; Punk Performance Sexual Politics --; Punk Public Archives --; The Memoirs: ‘Dear Reader’ --; Outro: Punk as Art --; 3. FINDING VOICE --; Intro --; Into the Voice --; Punking up the Pop Rock Canon --; Rebel Rebel --; 4. GRRRLS WITH GUITARS --; Intro --; Guitars Guitars Guitars --; Bodies Bodies Bodies: Woman with Guitar --; Punk Musica Practica --; Outro --; 5. VANGUARD OR OLD GUARD? --; Hip Priestess: Coat, Skirt, Hair, Hat --; ’Punk and Poses‘ --; Race-Gender-Class Horizons --; Since – On Getting Younger --; Nina Simone – She Who Did It First --; 6. OUTRO --; Sex, Gender and Public Culture --; How Did We Get Here? --; Listening to Music Writing --; Punk and Current Events --; Fade Up --; APPENDIX: THE MEMOIR-SET --; BIBLIOGRAPHY --; NOTES; restricted access
N2  - Poets, Guitarists, Songwriters, TV Stars, Provocateurs, Riot Grrrl founders: the authors in this study challenge perceptions of punk music and politics. Viv Albertine, Alice Bag, Pauline Black, Carrie Brownstein, Kim Gordon, Nina Hagen, Chrissie Hynde, Patti Smith, Brix Smith Start, and Cosey Fanni Tutti have been breaking new ground in writing about their lives. They fill gaps in the historical record, back catalogues and perceptions of how music works as politics. They provide fans and music scholars with a corrective to androcentric studies of punk as a DIY politics of resistance to the mainstream. M.I. Franklin shows how they do this, along with ways to hear the personal and world politics inherent in their musical output
UR  - https://doi.org/10.1515/9783839441718?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9783839441718
UR  - https://www.degruyter.com/document/cover/isbn/9783839441718/original
ER  -