TY  - BOOK
AU  - Assmann,Aleida
AU  - Baldacci,Cristina
AU  - Burrows,Jonathan
AU  - Cramer,Franz Anton
AU  - De Laet,Timmy
AU  - Dekker,Annet
AU  - Forster,Lou
AU  - Klein,Gabriele
AU  - Krämer,Sybille
AU  - Kunst,Bojana
AU  - Malik,Axel
AU  - Portyannikova,Sasha
AU  - Waltz,Sasha
TI  - Materialities in Dance and Performance: Writing, Documenting, Archiving 
T2  - TanzScripte
SN  - 9783839470640
U1  - 792.8 23/eng/20240402
PY  - 2024///]
CY  - Bielefeld
PB  - transcript Verlag
KW  - Archive
KW  - Body
KW  - Documentation
KW  - Materiality
KW  - Media
KW  - Performance
KW  - Theatre Studies
KW  - Writing
KW  - PERFORMING ARTS / Dance / General
KW  - bisacsh
N1  - Frontmatter --; Contents --; Materialities in Dance and Performance. An Introduction --; Writing as Choreographic Practice --; Scribbling Towards Something: Interview on the Written in Dance --; What Dance Teaches Us about Reading: Four Events and an Interlude --; Choreographic Writing. Material Practice of Artistic Production --; Passing on the Legacy of Collaboration: Material Goods as Marginalia --; Documenting as Knowledge Production --; “I want to continue working on the body”. Gabriele Klein and Sasha Waltz in Conversation --; From Documentary to Performative Documentation --; The Scriptal Method and Choreography --; Notational Iconicity, Spatiality, Time: The Creativity of Artificial Flatness --; Archiving as Performative Act --; deufert+plischke anarchivtan z --; Archiving the Body – Cultural Memory and the Practice of Intangible Cultural Heritage --; Absent and Abundant Arte(povera)facts --; “Things that Death Cannot Destroy”: The Afterlife and Performativity of Photographic Images (Linda Fregni Nagler) --; Multiple Materialisms: Situating Dance between Enactivist and New Materialist Discourses --; Contributors; restricted access
N2  - What is »materiality« in dance and performance? What role does »the material« play in the formation for the cultural memory of ephemeral arts? The contributors to this volume examine concepts of materiality in dance and performance, the use of materials in artistic practices and the role of social media in changing the perception of time-based artefacts. The volume shows how the focus on materiality transforms contemporary artistic work and challenges established concepts of dance and performance research
UR  - https://doi.org/10.1515/9783839470640?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9783839470640
UR  - https://www.degruyter.com/document/cover/isbn/9783839470640/original
ER  -