TY  - BOOK
AU  - Ferreira,Pedro
TI  - Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts 
T2  - Image
SN  - 9783839474167
PY  - 2024///]
CY  - Bielefeld
PB  - transcript Verlag
KW  - Aesthetics
KW  - Art History of the 21st Century
KW  - Art
KW  - Audiovisuals
KW  - Digital Culture
KW  - Fine Arts
KW  - Media Arts
KW  - Theory of Art
KW  - ART / Criticism
KW  - bisacsh
N1  - Frontmatter --; Contents --; Figures --; Introduction --; Purpose --; Methodology --; Significance --; Overview --; 1. Audiovisual Arts in the Post-Digital Age --; Audiovisual Arts and Audiovisuology --; Origins of the Term Post-Digital --; Post-Digital Aesthetics and Condition --; Post-Media, Post-Internet and New Aesthetic --; Post-media --; Post-internet --; New aesthetic --; Analogue Atoms + Digital Bits = Post-digital Hybridisation --; Digital Art --; Mapping the Post-Digital Aesthetics in Audiovisual Arts --; On digital media --; Within digital media --; In-between digital and non-digital media --; Off digital media --; Summary --; 2. Post-Digital Aesthetics in Contemporary Audiovisual Arts --; On Digital Media --; The aesthetics of failures --; The critical role of glitch --; Summary --; Within Digital Media --; The aesthetics of saturation --; Queering digital media --; Summary --; In-Between Digital and Non-Digital Media --; The aesthetics of hybridisation --; Beyond the screen --; Summary --; Off Digital Media --; The aesthetics of repurposing --; Neo-analogue turn as resistance --; Materiality and the tangibility of film --; Repurposing and resurrecting media --; Analogue-digital media assemblages --; Summary --; Comparing the Post-Digital Aesthetics --; 3. Critical Making and Post-Digital Hybridisation in Audiovisual Arts --; A Brief Introduction to Critical Making --; Critical making as a process-oriented practice --; Repoliticising Makers and Technology-Oriented Artists --; Making through a hands-on approach --; Critical Making and Post-Digital Art --; Critically-made art --; Post-digital hybridisation --; Entanglement --; Summary --; 4. Understanding the Post-Digital Condition Through Practice-Based Research --; Datox --; The computational society --; Electricity and non-human agency --; Album and archive of electronics’ noise --; Live performance --; Data overload recovery --; On a Scroll Through the Cloud --; The cloud materiality and its obfuscation --; The normalisation of surveillance capitalism --; Navigating the foggy environment of the cloud --; Things I Do When I’m Bored --; The corporate web and digital folklore --; Vlogging because I’m so bored --; I’m so bored so I decided to make a vlog --; Boredom vlogging patterns --; Let there be more boredom --; Debris --; An introduction to electronic waste --; Computation and computational media --; Digital media (im)materiality --; The constellation of digital media materiality --; Can you defeat planned obsolescence? --; The detritus of digital media technologies --; Deep Touch --; Sensing and smartness devices --; Nonsense apparatus --; Rematerialising the invisible forces of big tech --; All to Sand Returns --; Speculations on future landscapes and contemporary anxieties --; Repurposing analogue media and analogue-digital media hybrids --; Environment and matter --; Summary --; Conclusion: Rethinking Post-Digital Audiovisual Arts --; Acknowledgements --; Appendix: List of the Series of Artworks --; Datox --; On a Scroll Through the Cloud --; Things I Do When I’m Bored --; Debris --; Deep Touch --; All to Sand Returns --; Bibliography --; Notes --; Understanding the Post-Digital Condition Through Practice-Based Research --; Conclusion: Rethinking Post-Digital Audiovisual Arts; restricted access
N2  - Post-digital art suggests a form of embodiment of digital technologies that unfolds in physical space through hands-on material approaches, and even the repurposing of older analogue media. Pedro Ferreira examines these aesthetics in contemporary audiovisual arts as reactions to our post-digital condition. He traces four post-digital territories by looking on the digital infrastructure, within the effects of the post-digital condition, in-between digital and non-digital media as media hybrids, and off digital media in a turn to analogue media. Concluding with a series of artworks, this study exposes the material, sociocultural and environmental consequences of digital technologies in our post-digital age
UR  - https://doi.org/10.1515/9783839474167
UR  - https://www.degruyter.com/isbn/9783839474167
UR  - https://www.degruyter.com/document/cover/isbn/9783839474167/original
ER  -