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QueerBeograd Cabaret : A Shared Space between Queer, Anti-Facism and No Borders Politics / Ivana Marjanovic.

By: Contributor(s): Material type: TextTextSeries: Theater ; 158Publisher: Bielefeld : transcript Verlag, [2024]Copyright date: 2024Description: 1 online resource (300 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783837669947
  • 9783839469941
Subject(s): DDC classification:
  • 306.76094971 23/eng/20240724
LOC classification:
  • HQ73.3.S4 M37 2024
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- Abstract -- Prologue -- Acknowledgements -- 0 Introduction -- 0.1 Methods of Research and Theoretical Frameworks -- 0.2 Literature Review -- 0.3 Pride Parade as a Site of Contradictions. Europeanisation, LGBT and Queer Activism, and Leftist Demands from Within -- 0.4 Structure of the PhD Dissertation -- 1 Translating Queer, Contextualising Translation. Tensions towards a Queer Politics -- 1.1 Feminist and Queer Backgrounds—Dissident Currents—Debates on Intersectionality: Decolonial Feminism and Decolonial Queer -- 1.2 Gender and Political Difference: The Histories of Art and Activism in the Yugoslavian Cultural Space -- 1.3 Anti-War Agency: Feminists, Lesbians, Gays, Artists and Others -- 1.4 Translating Queer: QueerBeograd and the Discourse of Kvar -- 2 Making the World That We Imagine: QueerBeograd Cabaret 2006–2008 -- 2.1 QueerBeograd Cabaret—“Preparing the Space” -- 2.2 “Queercore/Lubricant” Cabaret (2006) -- 2.3 QueerBeograd Cabaret (2007) -- 2.4 QueerBeograd Cabaret “Direcktno” (2008) -- 3 The Politics of References: Anti-fascism, Queercore, No Borders -- 3.1 Weimar Cabaret and the Politics of Anti-Fascism -- 3.2 Transnational Radical Queer Activism and Contemporary Queer Cabaret Culture -- 3.3 No Borders Politics -- 3.4 QueerBeograd: A Hybridising and Situating Cabaret -- 4 Queer—or More Precisely, Kvar—as a Method -- 4.1 Creating the QueerBeograd Festival Time and Space -- 4.2 Kvar as a Procedure of Organising -- 4.3 The Method of QueerBeograd Cabaret -- 4.4 Positions of Enunciation and Subject Matters -- 5 Conclusion: Staging the Politics of Interconnectedness between Queer, Anti-Fascism and No Borders Politics -- 5.1 Advancing Intersectionality -- 5.2 QueerBeograd and Pride -- 5.3 Festivals and Alternative Political Culture -- Bibliography
Summary: The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanović explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783839469941

Frontmatter -- Contents -- Preface -- Abstract -- Prologue -- Acknowledgements -- 0 Introduction -- 0.1 Methods of Research and Theoretical Frameworks -- 0.2 Literature Review -- 0.3 Pride Parade as a Site of Contradictions. Europeanisation, LGBT and Queer Activism, and Leftist Demands from Within -- 0.4 Structure of the PhD Dissertation -- 1 Translating Queer, Contextualising Translation. Tensions towards a Queer Politics -- 1.1 Feminist and Queer Backgrounds—Dissident Currents—Debates on Intersectionality: Decolonial Feminism and Decolonial Queer -- 1.2 Gender and Political Difference: The Histories of Art and Activism in the Yugoslavian Cultural Space -- 1.3 Anti-War Agency: Feminists, Lesbians, Gays, Artists and Others -- 1.4 Translating Queer: QueerBeograd and the Discourse of Kvar -- 2 Making the World That We Imagine: QueerBeograd Cabaret 2006–2008 -- 2.1 QueerBeograd Cabaret—“Preparing the Space” -- 2.2 “Queercore/Lubricant” Cabaret (2006) -- 2.3 QueerBeograd Cabaret (2007) -- 2.4 QueerBeograd Cabaret “Direcktno” (2008) -- 3 The Politics of References: Anti-fascism, Queercore, No Borders -- 3.1 Weimar Cabaret and the Politics of Anti-Fascism -- 3.2 Transnational Radical Queer Activism and Contemporary Queer Cabaret Culture -- 3.3 No Borders Politics -- 3.4 QueerBeograd: A Hybridising and Situating Cabaret -- 4 Queer—or More Precisely, Kvar—as a Method -- 4.1 Creating the QueerBeograd Festival Time and Space -- 4.2 Kvar as a Procedure of Organising -- 4.3 The Method of QueerBeograd Cabaret -- 4.4 Positions of Enunciation and Subject Matters -- 5 Conclusion: Staging the Politics of Interconnectedness between Queer, Anti-Fascism and No Borders Politics -- 5.1 Advancing Intersectionality -- 5.2 QueerBeograd and Pride -- 5.3 Festivals and Alternative Political Culture -- Bibliography

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanović explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.

funded by Österreichisches Bundesministerium Kunst, Kultur, öffentlicher

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)