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Creativity in Transition : Politics and Aesthetics of Cultural Production Across the Globe / ed. by Maruška Svašek, Birgit Meyer.

Contributor(s): Material type: TextTextSeries: Material Mediations: People and Things in a World of Movement ; 6Publisher: New York ; Oxford : Berghahn Books, [2016]Copyright date: ©2016Description: 1 online resource (366 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781785331817
  • 9781785331824
Subject(s): DDC classification:
  • 306.4/7 23/eng
LOC classification:
  • BH301.C84
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Creativity and Innovation in a World of Movement -- 1 African Lace: Agency and Transcontinental Interaction in Textile Design -- 2 Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art -- 3 THE SOCIAL LIFE OF KOTTAN Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India -- 4 Art and the Making of the Creative City of Chennai, India -- 5 Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, Argentina -- 6 Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway -- 7 ‘We Paint Our Way and the Christian Way Together’ Transforming Yolngu and Ngan’gi Art through Creative Ancestral-Christian Practice -- 8 Undoing Absence through Things: Creative Appropriation and Affective Engagement in an Indian Transnational Setting -- 9 ‘The Eye Likes It’ National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus -- 10 Narratives, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, Brazil -- 11 The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana -- Afterword: Creativity in Transition -- Index
Summary: In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ‘innovation’ in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781785331824

Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Creativity and Innovation in a World of Movement -- 1 African Lace: Agency and Transcontinental Interaction in Textile Design -- 2 Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art -- 3 THE SOCIAL LIFE OF KOTTAN Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India -- 4 Art and the Making of the Creative City of Chennai, India -- 5 Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, Argentina -- 6 Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway -- 7 ‘We Paint Our Way and the Christian Way Together’ Transforming Yolngu and Ngan’gi Art through Creative Ancestral-Christian Practice -- 8 Undoing Absence through Things: Creative Appropriation and Affective Engagement in an Indian Transnational Setting -- 9 ‘The Eye Likes It’ National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus -- 10 Narratives, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, Brazil -- 11 The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana -- Afterword: Creativity in Transition -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ‘innovation’ in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)