The Films of Bill Morrison : Aesthetics of the Archive / ed. by Bernd Herzogenrath.
Material type:
- 9789089649966
- 9789048529094
- PN1998.3.M6855 F55 2018
- online - DeGruyter
- Issued also in print.
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048529094 |
Frontmatter -- Table Of Contents -- Acknowledgments -- Aesthetics Of The Archive An Introduction -- Chapter 1. Drafts And Fragments Reflections Around Bill Morrison And The Paper Print Collection -- Chapter 2.The Film Of Her The Cine-Poet Laureate Of Orphan Films -- Chapter 3.Ghost Trip Searching For Potential Myths -- Chapter 4. Decasia The Matter Image: Film Is Also A Thing -- Chapter 5 .The Mesmerist Illustrating The Return Of The Repressed -- Chapter 6. Light Is Calling Celluloid Dreams -- Chapter 7. Gotham Zoetrope: Block By Block -- Chapter 8.Outerborough Early Cinema Revisited -- Chapter 9. The Highwater Trilogy Thinking The Liquid - On The Ethics Of Water And The Material Ecologies Of Disaster And Ruination -- Chapter 10. Porch Archives, Collective Memory, And The Poetics Of Home Movies -- Chapter 11. The Future Lasts Long The Romanov Lost Family Archives -- Chapter 12.Who By Water Variations On Matter, Figures, Memory, And Mythology -- Chapter 13. Every Stop On The F-Train Beyond And Within The Restless Netherworld Of (Manhattan'S) Mind -- Chapter 14.Spark Of Being Bachelor Machine -- Chapter 15. The Miners' Hymns Acts Of Resurrection -- Chapter 16.Tributes - Pulse: A Requiem For The 20Th Century Death Drive Image -- Chapter 17.Just Ancient Loops The Loops Of Life In Intonation -- Chapter 18.The Great Flood Water Is Transparence Derived From The Presence Of Everything -- Chapter 19. Re-Awakenings Bill Morrison In Conversation -- Index Of Film Titles -- Index Of Names -- Index Of Subjects
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)