Frontmatter -- TABLE OF CONTENTS -- Preface -- CHAPTER 1: THE OCTOPUS -- The Octopus Programme -- A Symphony of Thoughts (or Prologue to Cephalopod Conversations) -- The Tentacles -- CHAPTER 2: THE TRAJECTORIES -- The Poetic and the Political: The Octopus Programme in Its Institutional and Educational Signifi cance -- The Experience of the Octopus -- Artistic Research as an Act of Self-Representation and Self-Determination (or Why I Choose to View My Work as Research) -- An Extended Research Crossing Parallel Routes -- Growing Tentacles of Imagination -- The How Vis-à-Vis the What -- CHAPTER 3: THE CONTENT -- The Structure -- Partnering Institutions -- Curators -- Participants, Artistic Researches, and Projects -- Contributions to Spectral Encounters -- Travelling across the Nodes -- Artist Videos -- Artist Talks and Presentations -- Exhibitions -- Publications -- CHAPTER 4: THE PARALLEL -- Introduction -- A Research of Doing -- In The ZoNE -- CHAPTER 5: REFLECTIONS -- Identity in a Globalised World -- On Opportunities and Conditions -- The Long-Term Commitment -- A Journey from Tunisia to Austria -- An Experience of Diversity -- A Multipodic Adventure -- Becoming Octopodical (or Intertwined in Tentacular Love) -- The Octopus and The Less Good Idea -- Mentoring in the Octopus Programme -- Biographies: Curators and Authors -- Image Credits -- Acknowledgements

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Diversity in artistic research This book presents the results of the Octopus Programme, an innovative fellowship in the field of artistic research. This international network of eleven institutions included selected participants from Europe, the Mediterranean, and Africa, and generated numerous events, workshops, and exhibitions. By promoting international collaboration, new critical perspectives were developed to investigate the diversity of artistic research and practice in different contexts – academic as well as nonacademic – inside and outside institutions, or in relation to resources. This brings into focus not only different curatorial models, but also different modes of knowledge production. Artistic research and collaboration between academies, art institutions, students, and experts Curatorial forms of presentation, research and documentation, progressive educational methodology Contributions by Ruth Anderwald / Leonhard Grond, Jonatan Habib Engqvist, Maria Lantz, Barbara Putz-Plecko, Johan Thom, and others

Vielfalt in der künstlerischen Forschung Dieses Buch versammelt die Ergebnisse des Octopus Programme – ein innovatives Fellowship im Bereich der künstlerischen Forschung. Es entstand ein internationales Netzwerk aus elf Institutionen, mit ausgewählten Teilnehmer:innen aus Europa, dem Mittelmeerraum und Afrika, mit zahlreichen Veranstaltungen, Workshops und Ausstellungen. Durch die Förderung internationaler Kollaborationen wurden neue kritische Perspektiven entwickelt, zur Untersuchung der Vielfalt künstlerischer Forschung und Praxis in unterschiedlichen Kontexten – im akademischen und nicht akademischen Bereich, innerhalb und außerhalb von Institutionen oder in Bezug auf Ressourcen. Damit rücken nicht nur unterschiedliche kuratorische Modelle, sondern auch unterschiedliche Modelle der Wissensproduktion in den Fokus. Künstlerische Forschung und Zusammenarbeit zwischen Akademien, Kunstinstitutionen, Studierenden, Expert:innen Kuratorische Präsentationsformen, Forschungs- und Dokumentationsprozesse, progressive Bildungsmethodik Beiträge von Ruth Anderwald / Leonhard Grond, Jonatan Habib Engqvist, Maria Lantz, Barbara Putz-Plecko, Johan Thom u. a.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)