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Practices of Coexistence : Constructions of the Other in Early Modern Perceptions / ed. by Marcell Sebők, Marianna D. Birnbaum.

Contributor(s): Material type: TextTextPublisher: Budapest ; New York : Central European University Press, [2017]Copyright date: 2017Description: 1 online resource (242 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9789633861882
Subject(s): DDC classification:
  • 940.21 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Table of Contents -- INTRODUCTION Practices of Coexistence: Constructions of the Other in Early Modern Perceptions -- The Good Fowler as a World Conqueror: Images of Suleyman the Magnificent in Early Modern Hungarian Literary Practice -- Repercussions of a Murder: The Death of Sehzade Mustafa on the Early Modern English Stage -- Constructing a Self-Image in the Image of the Other: Pope Pius II’s Letter to Sultan Mehmed II -- Topography of a Society: Muslims, Dwellers, and Customs of Algiers in Antonio de Sosa’s Topographia, e Historia General de Argel -- The Ragusan Image of Venice and the Venetian Image of Ragusa in the Early Modern Period -- All Moldavian Eyes on Ottomans: Perceptions and Representations at the End of the Fifteenth Century and the Beginning of the Sixteenth Century -- List of Contributors -- Index
Summary: The essays in this book provide interesting contributions to the ongoing debate concerning the representation of differing cultures, i.e., the “image of the Other” in the early modern period . They deal with images, projections, and perceptions, based on various experiences of coexistence. Although the individual contributions contain sources and references of iconography, this is not just another volume of art history or visual studies. As examples of practices in diverse historical contexts, the book includes a variety of textual material, such as literary productions, rhetorical exercises, dramatic applications, chronicles, epistles, and diary-like historical accounts that express ethnographic sensitivities. Thus, supported by a thorough research apparatus, these studies propose a new cultural history of the early modern coexistence of various communities, as identified in current research by young scholars. Another novel feature of the volume is the deliberate digression of traditional scholars’ focus and the investigation of rarely examined regions and practices. This approach allows the contributors to spotlight their special areas of research and to share a fresh new look at “the Renaissance.”
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9789633861882

Frontmatter -- Table of Contents -- INTRODUCTION Practices of Coexistence: Constructions of the Other in Early Modern Perceptions -- The Good Fowler as a World Conqueror: Images of Suleyman the Magnificent in Early Modern Hungarian Literary Practice -- Repercussions of a Murder: The Death of Sehzade Mustafa on the Early Modern English Stage -- Constructing a Self-Image in the Image of the Other: Pope Pius II’s Letter to Sultan Mehmed II -- Topography of a Society: Muslims, Dwellers, and Customs of Algiers in Antonio de Sosa’s Topographia, e Historia General de Argel -- The Ragusan Image of Venice and the Venetian Image of Ragusa in the Early Modern Period -- All Moldavian Eyes on Ottomans: Perceptions and Representations at the End of the Fifteenth Century and the Beginning of the Sixteenth Century -- List of Contributors -- Index

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http://purl.org/coar/access_right/c_16ec

The essays in this book provide interesting contributions to the ongoing debate concerning the representation of differing cultures, i.e., the “image of the Other” in the early modern period . They deal with images, projections, and perceptions, based on various experiences of coexistence. Although the individual contributions contain sources and references of iconography, this is not just another volume of art history or visual studies. As examples of practices in diverse historical contexts, the book includes a variety of textual material, such as literary productions, rhetorical exercises, dramatic applications, chronicles, epistles, and diary-like historical accounts that express ethnographic sensitivities. Thus, supported by a thorough research apparatus, these studies propose a new cultural history of the early modern coexistence of various communities, as identified in current research by young scholars. Another novel feature of the volume is the deliberate digression of traditional scholars’ focus and the investigation of rarely examined regions and practices. This approach allows the contributors to spotlight their special areas of research and to share a fresh new look at “the Renaissance.”

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)