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International Yearbook of Futurism Studies. Volume 14, 2024 / ed. by Günter Berghaus.

Contributor(s): Material type: TextTextSeries: International Yearbook of Futurism Studies ; Volume 14Publisher: Berlin ; Boston : De Gruyter, [2024]Copyright date: 2025Description: 1 online resource (VIII, 538 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783111434810
  • 9783111435961
Subject(s): DDC classification:
  • 700.904
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Table of Contents -- Section 1: Futurism Studies -- The Futurist Manifestos of Late 1910 and 1911: Dates and Editions Reconsidered -- The International Futurism of Nanni Leone Castelli -- Fedele Azari as Aviator, Gallerist and Publisher: His Take-off, Rise, Decline and Fall -- The Futurist Action on the Torre dell’Orologio in Venice (1910): Fact, Fiction and Propaganda in an Age of Mass Media -- Velimir Khlebnikov’s Futurist Essays: A Hybrid Genre? -- Futurist Dance, Russian Style -- The Network(s) of Futurism in Odessa -- Bye Bye, But Thank You: Karel Teige on F. T. Marinetti -- The Syncretic Avant-garde in Romania, 1922–1927: Futurism and Integralism -- Futurism in Germany: The 1912 Exhibition in Berlin -- International Networks of the Avant-garde in the 1920s and 1930s: Ruggero Vasari as a Futurist Broker in Germany -- The Typographic City: A Futurist Ideal of the Urban Environment? -- Section 2: Caricatures and Satires of Futurism in the Contemporary Press -- Caption: Futurism Has no Future … -- Marinetti’s 1926 visit in Brazil in a caricature of Careta -- Sculpted Meat vs. Pasta: The Battle of the Forks in Italian Satire -- Sid Treeby’s Caricature of the Futurist Exhibition at the Sackville Gallery in London (1912) -- “Hang Your Picture on the Floor”: A Para-Futurist Aeropainting from the USA -- Interpenetration of Planes / Interpenetration of Society: Karl Arnold’s Caricature of Futurist Pictorial Principles -- Section 3: Critical responses to exhibitions, conferences and publications -- Shedding New Light onto the Figure of Gino Galli (1893–1944) -- Gino Galli (1893–1944): A Roman Futurist Resurrected from Oblivion -- The Abstract Futurism of Julius Evola: Notes from an Exhibition -- Two Exhibitions on Futurism in the Netherlands -- New Research into the Life and OEuvre of Luigi Russolo -- Marisa Mori: A Futurist Woman Artist in Fascist Italy -- A New Comprehensive Study on the Multidisciplinary Zenitist Artist Branko Ve Poljanski -- Futurism in the 1930s -- Brazilian Modernism, Anthropophagy and Futurism -- Section 4: Bibliography -- A Bibliography of Publications on Futurism, 2021–2024 -- Section 5: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index
Summary: Band 14 des Jahrbuchs enthält in seinem ersten Teil zehn Aufsätze, die sich mit dem Futurismus in Italien, Russland, der Ukraine, der Tschechoslowakei, Rumänien und Deutschland befassen, sowie zwei Beiträge zum Thema Tanz und Typografie. Untersucht werden unter anderem futuristische Manifeste aus den Jahren 1910 und 1911, die futuristischen Essays von Velimir Khlebnikov sowie die Netzwerke des Futurismus in Odessa. Der zweite Teil untersucht im Rahmen des Schwerpunktes Karikaturen und Satiren des Futurismus in der zeitgenössischen Presse fünf humoristische Bilder aus fünf Ländern, in denen die Bewegung und ihr Begründer Marinetti verspottet wurden. Es folgen neun Rezensionen von Ausstellungen, Konferenzen und Veröffentlichungen sowie eine Bibliografie mit Angaben zu 128 neuen Publikationen über den Futurismus. Futurismus aus internationaler, vergleichender und interdisziplinärer Perspektive Transkultureller Blick auf internationale AvantgardenSummary: The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography. Among other things, this publication provides analysis of the futurist manifestos from late 1910 and 1911 and Velimir Khlebnikov’s futurist essays, as well as the networks of Futurism in Odessa. In the second part, a section on Caricatures and Satires of Futurism in the Contemporary Press examines five humorous images from five countries, in which the movement and its leader were lampooned. This section is followed by nine reviews of recent exhibitions, conferences and publications, and an annual bibliography with details of 128 new books on Futurism. Futurism from international, comparative and interdisciplinary perspectives Transcultural view of international avant-gardes
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783111435961

Frontmatter -- Table of Contents -- Section 1: Futurism Studies -- The Futurist Manifestos of Late 1910 and 1911: Dates and Editions Reconsidered -- The International Futurism of Nanni Leone Castelli -- Fedele Azari as Aviator, Gallerist and Publisher: His Take-off, Rise, Decline and Fall -- The Futurist Action on the Torre dell’Orologio in Venice (1910): Fact, Fiction and Propaganda in an Age of Mass Media -- Velimir Khlebnikov’s Futurist Essays: A Hybrid Genre? -- Futurist Dance, Russian Style -- The Network(s) of Futurism in Odessa -- Bye Bye, But Thank You: Karel Teige on F. T. Marinetti -- The Syncretic Avant-garde in Romania, 1922–1927: Futurism and Integralism -- Futurism in Germany: The 1912 Exhibition in Berlin -- International Networks of the Avant-garde in the 1920s and 1930s: Ruggero Vasari as a Futurist Broker in Germany -- The Typographic City: A Futurist Ideal of the Urban Environment? -- Section 2: Caricatures and Satires of Futurism in the Contemporary Press -- Caption: Futurism Has no Future … -- Marinetti’s 1926 visit in Brazil in a caricature of Careta -- Sculpted Meat vs. Pasta: The Battle of the Forks in Italian Satire -- Sid Treeby’s Caricature of the Futurist Exhibition at the Sackville Gallery in London (1912) -- “Hang Your Picture on the Floor”: A Para-Futurist Aeropainting from the USA -- Interpenetration of Planes / Interpenetration of Society: Karl Arnold’s Caricature of Futurist Pictorial Principles -- Section 3: Critical responses to exhibitions, conferences and publications -- Shedding New Light onto the Figure of Gino Galli (1893–1944) -- Gino Galli (1893–1944): A Roman Futurist Resurrected from Oblivion -- The Abstract Futurism of Julius Evola: Notes from an Exhibition -- Two Exhibitions on Futurism in the Netherlands -- New Research into the Life and OEuvre of Luigi Russolo -- Marisa Mori: A Futurist Woman Artist in Fascist Italy -- A New Comprehensive Study on the Multidisciplinary Zenitist Artist Branko Ve Poljanski -- Futurism in the 1930s -- Brazilian Modernism, Anthropophagy and Futurism -- Section 4: Bibliography -- A Bibliography of Publications on Futurism, 2021–2024 -- Section 5: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index

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Band 14 des Jahrbuchs enthält in seinem ersten Teil zehn Aufsätze, die sich mit dem Futurismus in Italien, Russland, der Ukraine, der Tschechoslowakei, Rumänien und Deutschland befassen, sowie zwei Beiträge zum Thema Tanz und Typografie. Untersucht werden unter anderem futuristische Manifeste aus den Jahren 1910 und 1911, die futuristischen Essays von Velimir Khlebnikov sowie die Netzwerke des Futurismus in Odessa. Der zweite Teil untersucht im Rahmen des Schwerpunktes Karikaturen und Satiren des Futurismus in der zeitgenössischen Presse fünf humoristische Bilder aus fünf Ländern, in denen die Bewegung und ihr Begründer Marinetti verspottet wurden. Es folgen neun Rezensionen von Ausstellungen, Konferenzen und Veröffentlichungen sowie eine Bibliografie mit Angaben zu 128 neuen Publikationen über den Futurismus. Futurismus aus internationaler, vergleichender und interdisziplinärer Perspektive Transkultureller Blick auf internationale Avantgarden

The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography. Among other things, this publication provides analysis of the futurist manifestos from late 1910 and 1911 and Velimir Khlebnikov’s futurist essays, as well as the networks of Futurism in Odessa. In the second part, a section on Caricatures and Satires of Futurism in the Contemporary Press examines five humorous images from five countries, in which the movement and its leader were lampooned. This section is followed by nine reviews of recent exhibitions, conferences and publications, and an annual bibliography with details of 128 new books on Futurism. Futurism from international, comparative and interdisciplinary perspectives Transcultural view of international avant-gardes

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)