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Wang Bing's Filmmaking of the China Dream : Narratives, Witnesses and Marginal Spaces / Elena Pollacchi.

By: Contributor(s): Material type: TextTextSeries: Critical Asian Cinemas ; 2Publisher: Amsterdam : Amsterdam University Press, [2021]Copyright date: ©2021Description: 1 online resource (246 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9789048551156
Subject(s): DDC classification:
  • 791.430233092 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Table of Contents -- Acknowledgements -- Editorial Note -- Foreword -- Introduction -- 1. Wang Bing’s Cinematic Journey: A Counter-Narrative of the China Dream -- 2. History in the Making: The Debut Epic Tiexi qu: West of the Tracks -- 3. Spaces of Labour: Three Sisters, ’Til Madness Do Us Part, Bitter Money -- 4. Spaces of History and Memory: The Works on the Anti-Rightist Campaign -- 5. Collective Spaces – Individual Narratives -- 6. Concluding Remarks: Spaces of Exhibition and Spaces of Human Practice -- Filmography -- Bibliography -- Index
Summary: This volume offers an organic discussion of Wang Bing's filmmaking across China's marginal spaces and against the backdrop of the state-sanctioned 'China Dream'. Wang's work has contemporary China as its focus and testifies to the country's contradictions, not dissimilar to those of contemporary societies dealing with issues of inequality, labour, and migration. Without being an activist, Wang Bing gives voice to the subaltern. His internationally awarded documentaries are recognized as world masterpieces. His unique aesthetics bears references to film masters, therefore this investigation goes beyond the divide between Western and non-Western film traditions. Each chapter takes a different articulation of space (spaces of labour, spaces of history, spaces of memory) as its entry point bringing together film and documentary studies, Chinese studies, and studies in globalization issues. This volume benefits from the author's extensive conversation with Wang Bing and from insider's observations of film production and the film festival circuit.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9789048551156

Frontmatter -- Table of Contents -- Acknowledgements -- Editorial Note -- Foreword -- Introduction -- 1. Wang Bing’s Cinematic Journey: A Counter-Narrative of the China Dream -- 2. History in the Making: The Debut Epic Tiexi qu: West of the Tracks -- 3. Spaces of Labour: Three Sisters, ’Til Madness Do Us Part, Bitter Money -- 4. Spaces of History and Memory: The Works on the Anti-Rightist Campaign -- 5. Collective Spaces – Individual Narratives -- 6. Concluding Remarks: Spaces of Exhibition and Spaces of Human Practice -- Filmography -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

This volume offers an organic discussion of Wang Bing's filmmaking across China's marginal spaces and against the backdrop of the state-sanctioned 'China Dream'. Wang's work has contemporary China as its focus and testifies to the country's contradictions, not dissimilar to those of contemporary societies dealing with issues of inequality, labour, and migration. Without being an activist, Wang Bing gives voice to the subaltern. His internationally awarded documentaries are recognized as world masterpieces. His unique aesthetics bears references to film masters, therefore this investigation goes beyond the divide between Western and non-Western film traditions. Each chapter takes a different articulation of space (spaces of labour, spaces of history, spaces of memory) as its entry point bringing together film and documentary studies, Chinese studies, and studies in globalization issues. This volume benefits from the author's extensive conversation with Wang Bing and from insider's observations of film production and the film festival circuit.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)