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Collectors, Commissioners, Curators : Studies in Medieval Art for Stephen N. Fliegel / ed. by Elina Gertsman.

Contributor(s): Material type: TextTextSeries: Early Drama, Art, and MusicPublisher: Kalamazoo, MI : Medieval Institute Publications, [2023]Copyright date: ©2023Description: 1 online resource (XVII, 267 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781501521102
  • 9781501514852
  • 9781501514845
Subject(s): DDC classification:
  • 708
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Acknowledgements -- Contents -- List of Illustrations -- Preface -- Part I: Curating Fragments: Itineraries / Reconstructions -- Chapter 1 Saint Stephen in Stone -- Chapter 2 An English Alabaster Altarpiece of Christ’s Passion Reunited -- Chapter 3 A Fugitive Parliament of Heaven Returns Home -- Part II: Curating Burgundy: Artists / Patrons -- Chapter 4 When Theory Influences the Gaze: On a Recently Restored Fifteenth-Century Burgundian Virgin from the Louvre -- Chapter 5 “None touches it”: The Library of Anthony of Burgundy -- Chapter 6 The Ceremonial Armor for the Young Emperor Charles V in Vienna: The German Empire, Burgundy, and a Failed Plan for a Habsburg-Tudor Alliance -- Part III: Curating Cleveland: Acquisitions / Display -- Chapter 7 The Völs-Colonna Armor for Man and Horse in the Cleveland Museum of Art and Its Matching Shield in the Metropolitan Museum of Art -- Chapter 8 In and Out of Fashion: Jan Crocq’s Saint John the Baptist and Saint Catherine -- Chapter 9 A Mosan Madonna in the Cleveland Museum of Art Reconsidered -- Part IV: Curating Artists: Names / Attributions -- Chapter 10 The Name of the Artist: Do Names Matter? -- Chapter 11 The Case for Simon Marmion – Once Again -- Chapter 12 The Workshop of Van Eyck, the Master of Covarrubias and the Master of the Simpson Carson Madonna -- Curriculum vitae of Stephen N. Fliegel -- Notes on Contributors
Summary: This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781501514845

Frontmatter -- Acknowledgements -- Contents -- List of Illustrations -- Preface -- Part I: Curating Fragments: Itineraries / Reconstructions -- Chapter 1 Saint Stephen in Stone -- Chapter 2 An English Alabaster Altarpiece of Christ’s Passion Reunited -- Chapter 3 A Fugitive Parliament of Heaven Returns Home -- Part II: Curating Burgundy: Artists / Patrons -- Chapter 4 When Theory Influences the Gaze: On a Recently Restored Fifteenth-Century Burgundian Virgin from the Louvre -- Chapter 5 “None touches it”: The Library of Anthony of Burgundy -- Chapter 6 The Ceremonial Armor for the Young Emperor Charles V in Vienna: The German Empire, Burgundy, and a Failed Plan for a Habsburg-Tudor Alliance -- Part III: Curating Cleveland: Acquisitions / Display -- Chapter 7 The Völs-Colonna Armor for Man and Horse in the Cleveland Museum of Art and Its Matching Shield in the Metropolitan Museum of Art -- Chapter 8 In and Out of Fashion: Jan Crocq’s Saint John the Baptist and Saint Catherine -- Chapter 9 A Mosan Madonna in the Cleveland Museum of Art Reconsidered -- Part IV: Curating Artists: Names / Attributions -- Chapter 10 The Name of the Artist: Do Names Matter? -- Chapter 11 The Case for Simon Marmion – Once Again -- Chapter 12 The Workshop of Van Eyck, the Master of Covarrubias and the Master of the Simpson Carson Madonna -- Curriculum vitae of Stephen N. Fliegel -- Notes on Contributors

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)