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Charles Ives and His World / ed. by J. Burkholder.

Contributor(s): Material type: TextTextSeries: The Bard Music Festival ; 7Publisher: Princeton, NJ : Princeton University Press, [2021]Copyright date: ©1996Description: 1 online resource (466 p.) : 13 halftones 3 b&w illus 1 map 50+ music exsContent type:
Media type:
Carrier type:
ISBN:
  • 9780691223254
Subject(s): DDC classification:
  • 780.92 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Preface and Acknowledgments -- Part I ESSAYS -- Ives and the Four Musical Traditions -- Innovation and Nostalgia: Ives, Mahler, and the Origins of Twentieth-Century Modernism -- Ives's Concord Sonata and the Texture of Music -- Charles Ives and the American Democratic Tradition -- Of Men and Mountains: Ives in the Adirondacks -- Part II LETTERS -- Selected Correspondence 1881-1954 -- Part III REVIEWS -- Selected Reviews 1888-1951 -- PART IV CONTEMPORARY VIEWS OF IVES AND HIS MUSIC! PROFILES 1932-1955 -- Charles E. Ives -- Charles Ives -- Charles Ives: The Man and His Music [Excerpt] -- An American Innovator, Charles Ives -- Ives Today: His Vision and Challenge -- Four Symphonies by Charles Ives -- Tardy Recognition: Emergence of Charles Ives as Strongly Individual Figure In American Music -- On Horseback to Heaven: Charles Ives -- Posterity Catches Up with Charles Ives -- Charles Ives—America's Musical Prophet [Excerpt] -- Charles E. Ives: 1874-1954 -- Index -- List of Contributors
Summary: This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691223254

Frontmatter -- Contents -- Preface and Acknowledgments -- Part I ESSAYS -- Ives and the Four Musical Traditions -- Innovation and Nostalgia: Ives, Mahler, and the Origins of Twentieth-Century Modernism -- Ives's Concord Sonata and the Texture of Music -- Charles Ives and the American Democratic Tradition -- Of Men and Mountains: Ives in the Adirondacks -- Part II LETTERS -- Selected Correspondence 1881-1954 -- Part III REVIEWS -- Selected Reviews 1888-1951 -- PART IV CONTEMPORARY VIEWS OF IVES AND HIS MUSIC! PROFILES 1932-1955 -- Charles E. Ives -- Charles Ives -- Charles Ives: The Man and His Music [Excerpt] -- An American Innovator, Charles Ives -- Ives Today: His Vision and Challenge -- Four Symphonies by Charles Ives -- Tardy Recognition: Emergence of Charles Ives as Strongly Individual Figure In American Music -- On Horseback to Heaven: Charles Ives -- Posterity Catches Up with Charles Ives -- Charles Ives—America's Musical Prophet [Excerpt] -- Charles E. Ives: 1874-1954 -- Index -- List of Contributors

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http://purl.org/coar/access_right/c_16ec

This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)