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Radio as Art : Concepts, Spaces, Practices / ed. by Anne Thurmann-Jajes, Sarah Schönewald, Franziska Rauh, Maria Peters, Jee-Hae Kim, Ursula Frohne.

Contributor(s): Material type: TextTextSeries: Schriftenreihe für Künstlerpublikationen ; 8Publisher: Bielefeld : transcript Verlag, [2019]Copyright date: 2019Description: 1 online resource (312 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783839436172
Subject(s): DDC classification:
  • 791.44 23
LOC classification:
  • PN1991.55 .R33 2019
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Introduction -- The Editors -- “I am an artist. I am not anything else.”1: —Robert Adrian Smith, 1935–2015 -- The Reception of Electricity: Art as Radio in Literature, Painting, and Performance -- On Radioart -- I. RADIO SPACE -- The Museum as an Agent of Radio Art -- Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works -- The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic -- II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- The Radio and/as Digital Productivism -- Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio -- Radio Art in the “… Everyday Hand-to-Hand Struggle with Apparatuses?” -- Radio as a “Minor” Art Practice -- III. INSTITUTIONAL FRAMING AND AGENCY -- Radio as a Research Medium for Artistic and Oral-History-Based Research Projects -- Community Radio as Post-Capitalist Art -- Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar -- Radio as Art? Heart or Gall Bladder? -- IV. RADIO ART AS ACTION -- In Simulcast: Archigram and Radio Piracy in 1960s Britain -- The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA’s Oedipus, Tyrant -- Doing Radio Art: Direct Media Association’s Pacific Rim / Slow Scan -- Radio Prolife: Eavesdropping on Life -- V. WORDS-SOUND-MUSIC -- John Cage’s Cinema for the Ear -- Peter Roehr’s Sound Montages -- Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit -- Listen and Participate: The Work of the Hörspielmacher Paul Plamper -- Dead Spot in Art History -- Author Biographies
Summary: Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783839436172

Frontmatter -- Contents -- Introduction -- The Editors -- “I am an artist. I am not anything else.”1: —Robert Adrian Smith, 1935–2015 -- The Reception of Electricity: Art as Radio in Literature, Painting, and Performance -- On Radioart -- I. RADIO SPACE -- The Museum as an Agent of Radio Art -- Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works -- The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic -- II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- The Radio and/as Digital Productivism -- Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio -- Radio Art in the “… Everyday Hand-to-Hand Struggle with Apparatuses?” -- Radio as a “Minor” Art Practice -- III. INSTITUTIONAL FRAMING AND AGENCY -- Radio as a Research Medium for Artistic and Oral-History-Based Research Projects -- Community Radio as Post-Capitalist Art -- Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar -- Radio as Art? Heart or Gall Bladder? -- IV. RADIO ART AS ACTION -- In Simulcast: Archigram and Radio Piracy in 1960s Britain -- The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA’s Oedipus, Tyrant -- Doing Radio Art: Direct Media Association’s Pacific Rim / Slow Scan -- Radio Prolife: Eavesdropping on Life -- V. WORDS-SOUND-MUSIC -- John Cage’s Cinema for the Ear -- Peter Roehr’s Sound Montages -- Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit -- Listen and Participate: The Work of the Hörspielmacher Paul Plamper -- Dead Spot in Art History -- Author Biographies

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)

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