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Pulse of the People : Political Rap Music and Black Politics / Lakeyta M. Bonnette.

By: Material type: TextTextSeries: American Governance: Politics, Policy, and Public LawPublisher: Philadelphia : University of Pennsylvania Press, [2015]Copyright date: ©2015Description: 1 online resource (232 p.) : 2 illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780812246841
  • 9780812291131
Subject(s): Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Introduction. Watch for the Hook -- Chapter 1. Behind the Music: Black Political Attitudes and Rap Music -- Chapter 2. Music and Political Resistance: The Cultural Foundation of Black Politics -- Chapter 3. It's Bigger Than Hip-Hop: Rap Music and Black Nationalism -- Chapter 4. Beyond the Music: Black Feminism and Rap Music -- Chapter 5. The Future of Politics: The Implications of Rap Music and Political Attitudes -- Conclusion. It's Still Bigger Than Hip-Hop: The Future of Rap and Politics -- Appendix 1. Political Rap Songs -- Appendix 2. HSAN and BPP Demands -- Notes -- Bibliography -- Discography -- Index -- Acknowledgments
Summary: Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of urban Blacks, a population frequently marginalized in American society and alienated from electoral politics.Pulse of the People lays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles in Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politics-including the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon Martin-Pulse of the People makes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780812291131

Frontmatter -- Contents -- Introduction. Watch for the Hook -- Chapter 1. Behind the Music: Black Political Attitudes and Rap Music -- Chapter 2. Music and Political Resistance: The Cultural Foundation of Black Politics -- Chapter 3. It's Bigger Than Hip-Hop: Rap Music and Black Nationalism -- Chapter 4. Beyond the Music: Black Feminism and Rap Music -- Chapter 5. The Future of Politics: The Implications of Rap Music and Political Attitudes -- Conclusion. It's Still Bigger Than Hip-Hop: The Future of Rap and Politics -- Appendix 1. Political Rap Songs -- Appendix 2. HSAN and BPP Demands -- Notes -- Bibliography -- Discography -- Index -- Acknowledgments

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of urban Blacks, a population frequently marginalized in American society and alienated from electoral politics.Pulse of the People lays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles in Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politics-including the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon Martin-Pulse of the People makes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)