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Situating Global Art : Topologies - Temporalities - Trajectories / ed. by Barbara Lutz, Birgit Hopfener, Nanne Buurman, Sarah Dornhof.

Contributor(s): Material type: TextTextSeries: Image ; 89Publisher: Bielefeld : transcript Verlag, [2018]Copyright date: 2018Description: 1 online resource (336 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783839433973
Subject(s): DDC classification:
  • 700
LOC classification:
  • N72.G55 S58 2018
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Acknowledgements -- Contents -- Introduction -- Situating Global Art. An Introduction -- Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art -- The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary -- The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事” -- “A Collage of Globalization” in Documenta11’s Exhibition Catalogue -- Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects -- Gulf Labor: The Boycott as Political Activism and Institutional Critique -- You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale -- Generation 00: The Artist as Citizen -- Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum -- Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating -- Curating as Transcultural Practice. documenta 12 and the “Migration of Form” -- Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization -- Practices of Self-Cultivation -- The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun -- Transculturally Entangled – Qiu Zhijie’s Concept of Total Art -- Globalization as an Artistic Strategy: The Case of Takashi Murakami -- The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating -- Biographies
Summary: In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783839433973

Frontmatter -- Acknowledgements -- Contents -- Introduction -- Situating Global Art. An Introduction -- Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art -- The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary -- The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事” -- “A Collage of Globalization” in Documenta11’s Exhibition Catalogue -- Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects -- Gulf Labor: The Boycott as Political Activism and Institutional Critique -- You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale -- Generation 00: The Artist as Citizen -- Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum -- Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating -- Curating as Transcultural Practice. documenta 12 and the “Migration of Form” -- Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization -- Practices of Self-Cultivation -- The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun -- Transculturally Entangled – Qiu Zhijie’s Concept of Total Art -- Globalization as an Artistic Strategy: The Case of Takashi Murakami -- The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating -- Biographies

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)