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Affecting Grace : Literature from Lessing to Kleist / Kenneth C. Calhoon.

By: Material type: TextTextSeries: German and European StudiesPublisher: Toronto : University of Toronto Press, [2013]Copyright date: ©2013Description: 1 online resource (296 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781442645998
  • 9781442664159
Subject(s): DDC classification:
  • 830.9
Other classification:
  • online - DeGruyter
Online resources: Summary: Affecting Grace examines the importance of Shakespeare's poetry and plays within German literature and thought after 1750 - including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop that includes a number of canonical German authors - Goethe, Schiller, Herder, Lessing, von Kleist, and Nietzsche - as well as the advent of Meissen porcelain, the painting of Bernardo Bellotto and Francesco Guardi, and aspects of German styles of architecture.Extending from Shakespeare's The Merchant of Venice (c. 1597) to Kleist's The Broken Jug (1806), this study turns on the paradox that the German literary world had begun to embrace Shakespeare just as it was firming up the broad but pronounced anti-Baroque sensibility found pivotally in Lessing's critical and dramatic works. Through these investigations, Calhoon illuminates the deep cultural changes that fundamentally affected Germany's literary and artistic traditions.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442664159

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Affecting Grace examines the importance of Shakespeare's poetry and plays within German literature and thought after 1750 - including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop that includes a number of canonical German authors - Goethe, Schiller, Herder, Lessing, von Kleist, and Nietzsche - as well as the advent of Meissen porcelain, the painting of Bernardo Bellotto and Francesco Guardi, and aspects of German styles of architecture.Extending from Shakespeare's The Merchant of Venice (c. 1597) to Kleist's The Broken Jug (1806), this study turns on the paradox that the German literary world had begun to embrace Shakespeare just as it was firming up the broad but pronounced anti-Baroque sensibility found pivotally in Lessing's critical and dramatic works. Through these investigations, Calhoon illuminates the deep cultural changes that fundamentally affected Germany's literary and artistic traditions.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)