Frontmatter -- CONTENTS -- ILLUSTRATIONS -- SERIES EDITOR FOREWORD -- VISUAL FOREWORD -- INTRODUCTION African American Arts in Action -- Part 1 BODIES OF ACTIVISM -- 1 • TRANS IDENTITY AS EMBODIED AFROFUTURISM -- 2 • DESIGNING OUR FREEDOM Toward a New Discourse on Fashion as a Strategy for Self-Liberation -- 3 • PEARL PRIMUS’S CHOREO-ACTIVISM 1943–1949 -- 4 • PERFORMING NEW NATIONALISM/ PERFORMING A LIVING CULTURE Josefina Báez’s Dominicanish¹ -- 5 • ETHNICITY, ETHICALNESS, EXCELLENCE Armond White’s All-American Humanism -- 6 • RACE AND HISTORY ON THE OPERATIC STAGE Caterina Jarboro Sings Aida -- Part 2 MUSIC AND VISUAL ART AS ACTIVISM -- 7 • “I AM BASQUIAT” Tracing Jean-Michel Basquiat’s Alterity and Activism in Paint and Performance -- 8 • “I LUH GOD” Erica Campbell, Trap Gospel, and the Moral Mask of Language Discrimination -- 9 • THE HIDDEN CODE OF THE KONGO COSMOGRAM IN AFRICAN AMERICAN ART AND CULTURE -- 10 • FROM BALDWIN TO BEYONCÉ Exploring the Responsibility of the Artist in Society— Re-envisioning the Black Female Sonic Artist as Citizen -- 11 • SLAYING “FORMATION” A Queering of Black Radical Tradition -- Part 3 INSTITUTIONS OF ACTIVISM -- 12 • CENTERING BLACKNESS THROUGH PERFORMANCE IN EVERY 28 HOURS -- 13 • DANCING FOR JUSTICE PHILADELPHIA Embodiment, Dance, and Social Change -- 14 • A CONVERSATION WITH FREDDIE HENDRICKS OF THE FREDDIE HENDRICKS YOUTH ENSEMBLE OF ATLANTA -- 15 • THE CONCILIATION PROJECT AS A SOCIAL EXPERIMENT Behind the Mask of Uncle Tom-ism and the Performance of Blackness -- BLACKBALLIN’ A Play -- ACKNOWLEDGMENTS -- ABOUT THE CONTRIBUTORS -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society? Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)