Fictions Inc. : The Corporation in Postmodern Fiction, Film, and Popular Culture / Ralph Clare.
Material type:
- 9780813565880
- 9780813565897
- American fiction -- 20th century -- History and criticism
- Capitalism in literature
- Corporations in literature
- Industries in literature
- Motion pictures -- Social aspects -- United States -- History -- 20th century
- Motion pictures -- United States -- Plots, themes, etc
- Postmodernism -- United States -- History -- 20th century
- LITERARY CRITICISM / General
- 813/.5093553
- PS374.C36 C53 2014
- PS374.C36 .C53 2014
- online - DeGruyter
- Issued also in print.
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
---|---|---|---|---|---|---|---|
![]() |
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780813565897 |
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation-Frank Norris's The Octopus-Ralph Clare traces this figure as it shifts from monster to man, from force to "individual," and from American industry to multinational "Other." Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television's The Office and the comic strips Life Is Hell and Dilbert. Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of "corporate bodies," Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)