The Edinburgh Companion to the Short Story in English / Adrian Hunter, Paul Delaney.
Material type:
- 9781474400664
- 823.0109 23
- PR829 .E353 2019eb
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9781474400664 |
Frontmatter -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Part I: Historicising the Short Story -- 1 Transnationalism and the Transatlantic Short Story -- 2 The Short Story and the Professionalisation of English Studies -- 3 Impressionism and the Short Story -- 4 Writers on the Short Story: 1950–present -- Part II: Publishing the Short Story -- 5 The Short Story and the ‘Little Magazine’ -- 6 Collections, Cycles and Sequences -- 7 The Short Story Anthology -- 8 The Short Story and Digital Media -- Part III: Forms of the Short Story -- 9 Short-Short Fiction -- 10 The Weird Tale -- 11 The Horror Story -- 12 Experimental Short Stories -- 13 The War Story -- Part IV: Placing the Short Story -- 14 Regionalism and the Short Story -- 15 The Short Story and the City -- 16 The Short Story in Suburbia -- 17 The Short Story and the Environment -- Part V: Identity and the Short Story -- 18 Gender and Genre in the Short Story -- 19 Diaspora and the Short Story -- 20 The Queer Short Story -- 21 Disability and the Short Story -- Index of Short Story Titles -- General Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
New scholarly essays on the short story in English as a phenomenon of world literatureThis collection explores the history and development of the anglophone short story since the beginning of the nineteenth century. Ranging across texts from different parts of the English-speaking world, it studies the form in its many guises and venues of publication. Why have writers of so many nationalities and dispositions found the short story amenable to experimentation and discovery? What is the history and origin of the modern short story, and what has been the role of the publishing business, of academic criticism, of the Creative Writing ‘industry’, and of the digital revolution in shaping and disseminating it over the past two centuries? This collection of innovative essays by new and established scholars explores these and other questions, addressing stories from around the world, and considering their relationship to place, identity, history and genre.Key Features:New critical perspectives on the English-language short story by established scholars and new voicesProvides an international perspective on the formShowcases a wide range of critical approaches and perspectives, including Book History, genre criticism, postcolonial theory, queer studies, feminist criticism, war writing, disability studies, Creative Writing, and ecocriticism
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)