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Dynamic Fair Dealing : Creating Canadian Culture Online / Darren Wershler, Rosemary Coombe, Martin Zeilinger.

By: Contributor(s): Material type: TextTextPublisher: Toronto : University of Toronto Press, [2014]Copyright date: ©2014Description: 1 online resource (456 p.) : 2 figuresContent type:
Media type:
Carrier type:
ISBN:
  • 9781442646407
  • 9781442665613
Subject(s): DDC classification:
  • 346.7104/82 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture -- PART A. The Canadian Copyright Context -- I Provocations: Fair Dealing as Right, Speech, Duty, and Practice -- 1 Copyright and Freedom of Expression: Fair Dealing between Work and Play -- 2 From the Right to Copy to Practices of Copying -- II Recognizing the Canadian Public Domain -- 3 The Canadian Public Domain: What, Where, and to What End? -- 4 Dynamic Fair Dealing with Orphan Works: Lessons from “Real” Property -- 5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation -- III Infrastructures for Fair Dealing -- 6 Resisting Enclosure: Licences, Authorship, and the Commons -- 7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons -- 8 “This Content Is Not Available in Your Region”: Geoblocking Culture in Canada -- 9 Net Neutrality and the Threat to Open Cultural Expression -- IV Experiments in Pedagogy and Diversity -- 10 Copyright and Access to Media for People with Perceptual Disabilities -- 11 If You’re Asking, It’s Not Fair Dealing: Animating Canadian Copyright Issues in a “Read-Write” Classroom -- 12 Hacking Education: How Openness and Sharing Can Transform Learning -- PART B. Mediations -- I Digital Publishing -- 13 Open Access Publishing and Academic Research -- 14 Open Access Mandates and the Fair Dealing Button -- II Principles and Practices of Heritage Management -- 15 The Evolution of Cultural Heritage Ethics via Human Rights Norms -- 16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain -- 17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? -- III The Work of Poetics -- 18 Parodists’ Rights and Copyright in a Digital Canada -- 19 Robin Hood of the Avant-Garde -- 20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices -- PART C. Making Our Digital Heritage a Dynamic One -- I Documenting Pasts and Assessing Virtual Futures -- 21 Copyright Dramas: Theatre Archives and Collections Online -- 22 Streaming a Digital Scream: Archiving Toronto’s Barbaric Yawp -- 23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures -- II Recombinant Creativity -- 24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons–Licensed Music -- 25 “My Real’ll Make Yours a Rental”: Hip Hop and Canadian Copyright -- 26 Friction over Fan Fiction -- 27 Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming Cultures -- AFTERWORD: Reflections -- Deal with It -- Pull Up the Stakes and Fill in the Ditches -- References -- Acknowledgments -- Contributors -- Index
Summary: Dynamic Fair Dealing argues that only a dynamic, flexible, and equitable approach to cultural ownership can accommodate the astonishing range of ways that we create, circulate, manage, attribute, and make use of digital cultural objects.The Canadian legal tradition strives to balance the rights of copyright holders with public needs to engage with copyright protected material, but there is now a substantial gap between what people actually do with cultural forms and how the law understands those practices. Digital technologies continue to shape new forms of cultural production, circulation, and distribution that challenge both the practicality and the desirability of Canada's fair dealing provisions.Dynamic Fair Dealing presents a range of insightful and provocative essays that rethink our relationship to Canadian fair dealing policy. With contributions from scholars, activists, and artists from across disciplines, professions, and creative practices, this book explores the extent to which copyright has expanded into every facet of society and reveals how our capacities to actually deal fairly with cultural goods has suffered in the process. In order to drive conversations about the cultural worlds Canadians imagine, and the policy reforms we need to realize these visions, we need Dynamic Fair Dealing.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442665613

Frontmatter -- Contents -- Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture -- PART A. The Canadian Copyright Context -- I Provocations: Fair Dealing as Right, Speech, Duty, and Practice -- 1 Copyright and Freedom of Expression: Fair Dealing between Work and Play -- 2 From the Right to Copy to Practices of Copying -- II Recognizing the Canadian Public Domain -- 3 The Canadian Public Domain: What, Where, and to What End? -- 4 Dynamic Fair Dealing with Orphan Works: Lessons from “Real” Property -- 5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation -- III Infrastructures for Fair Dealing -- 6 Resisting Enclosure: Licences, Authorship, and the Commons -- 7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons -- 8 “This Content Is Not Available in Your Region”: Geoblocking Culture in Canada -- 9 Net Neutrality and the Threat to Open Cultural Expression -- IV Experiments in Pedagogy and Diversity -- 10 Copyright and Access to Media for People with Perceptual Disabilities -- 11 If You’re Asking, It’s Not Fair Dealing: Animating Canadian Copyright Issues in a “Read-Write” Classroom -- 12 Hacking Education: How Openness and Sharing Can Transform Learning -- PART B. Mediations -- I Digital Publishing -- 13 Open Access Publishing and Academic Research -- 14 Open Access Mandates and the Fair Dealing Button -- II Principles and Practices of Heritage Management -- 15 The Evolution of Cultural Heritage Ethics via Human Rights Norms -- 16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain -- 17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? -- III The Work of Poetics -- 18 Parodists’ Rights and Copyright in a Digital Canada -- 19 Robin Hood of the Avant-Garde -- 20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices -- PART C. Making Our Digital Heritage a Dynamic One -- I Documenting Pasts and Assessing Virtual Futures -- 21 Copyright Dramas: Theatre Archives and Collections Online -- 22 Streaming a Digital Scream: Archiving Toronto’s Barbaric Yawp -- 23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures -- II Recombinant Creativity -- 24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons–Licensed Music -- 25 “My Real’ll Make Yours a Rental”: Hip Hop and Canadian Copyright -- 26 Friction over Fan Fiction -- 27 Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming Cultures -- AFTERWORD: Reflections -- Deal with It -- Pull Up the Stakes and Fill in the Ditches -- References -- Acknowledgments -- Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Dynamic Fair Dealing argues that only a dynamic, flexible, and equitable approach to cultural ownership can accommodate the astonishing range of ways that we create, circulate, manage, attribute, and make use of digital cultural objects.The Canadian legal tradition strives to balance the rights of copyright holders with public needs to engage with copyright protected material, but there is now a substantial gap between what people actually do with cultural forms and how the law understands those practices. Digital technologies continue to shape new forms of cultural production, circulation, and distribution that challenge both the practicality and the desirability of Canada's fair dealing provisions.Dynamic Fair Dealing presents a range of insightful and provocative essays that rethink our relationship to Canadian fair dealing policy. With contributions from scholars, activists, and artists from across disciplines, professions, and creative practices, this book explores the extent to which copyright has expanded into every facet of society and reveals how our capacities to actually deal fairly with cultural goods has suffered in the process. In order to drive conversations about the cultural worlds Canadians imagine, and the policy reforms we need to realize these visions, we need Dynamic Fair Dealing.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)