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Film Genre Reader IV / ed. by Barry Keith Grant.

Contributor(s): Material type: TextTextPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2012Description: 1 online resource (784 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292742079
Subject(s): DDC classification:
  • 791.43/6
LOC classification:
  • PN1995 .F457933 2012
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Acknowledgments -- Contents -- Preface to the Fourth Edition -- Introduction -- Part One: Theory -- 1. Genre -- 2. The Idea of Genre in the American Cinema -- 3. A Semantic/Syntactic Approach to Film Genre -- 4. Cycles and Clusters: The Shape of Film Genre History -- 5. Genre Films and the Status Quo -- 6. Social Implications in the Hollywood Genres -- 7. Ideology, Genre, Auteur -- 8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre -- 9. The Structural Influence: New Directions in Film Genre Study -- 10. Genre Film: A Classical Experience -- 11. Experience and Meaning in Genre Films -- 12. Genre and Performance: An Overview -- 13. Film Bodies: Gender, Genre, and Excess -- 14. Questions of Genre -- 15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History -- 16. Film Genres at the Crossroads: What Genres and Films Do to Each Other -- Part Two: Selected Genre Criticism -- 17. The Western (Genre and Movies) -- 18. Apes and Essences: Some Sources of Significance in the American Gangster Film -- 19. Notes on Film Noir -- 20. Chinatown and Generic Transformation in Recent American Films -- 21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western -- 22. The Bug in the Rug: Notes on the Disaster Genre -- 23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic -- 24. Children of the Light -- 25. Monsters from the Id -- 26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery -- 27. Tales of Sound and Fury: Observations on the Family Melodrama -- 28. Screwball Comedies: Constructing Romance, Mystifying Marriage -- 29. Redressing the “Natural”: The Temporary Transvestite Film -- 30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films -- 31. The Family in Action -- 32. The Self-Reflexive Musical and the Myth of Entertainment -- 33. The Black Gangster Film -- 34. Teen Films: The Cinematic Image of Youth -- 35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film -- 36. Global Noir: Genre Film in the Age of Transnationalism -- Bibliography -- Notes on Contributors -- Index
Summary: From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292742079

Frontmatter -- Acknowledgments -- Contents -- Preface to the Fourth Edition -- Introduction -- Part One: Theory -- 1. Genre -- 2. The Idea of Genre in the American Cinema -- 3. A Semantic/Syntactic Approach to Film Genre -- 4. Cycles and Clusters: The Shape of Film Genre History -- 5. Genre Films and the Status Quo -- 6. Social Implications in the Hollywood Genres -- 7. Ideology, Genre, Auteur -- 8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre -- 9. The Structural Influence: New Directions in Film Genre Study -- 10. Genre Film: A Classical Experience -- 11. Experience and Meaning in Genre Films -- 12. Genre and Performance: An Overview -- 13. Film Bodies: Gender, Genre, and Excess -- 14. Questions of Genre -- 15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History -- 16. Film Genres at the Crossroads: What Genres and Films Do to Each Other -- Part Two: Selected Genre Criticism -- 17. The Western (Genre and Movies) -- 18. Apes and Essences: Some Sources of Significance in the American Gangster Film -- 19. Notes on Film Noir -- 20. Chinatown and Generic Transformation in Recent American Films -- 21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western -- 22. The Bug in the Rug: Notes on the Disaster Genre -- 23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic -- 24. Children of the Light -- 25. Monsters from the Id -- 26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery -- 27. Tales of Sound and Fury: Observations on the Family Melodrama -- 28. Screwball Comedies: Constructing Romance, Mystifying Marriage -- 29. Redressing the “Natural”: The Temporary Transvestite Film -- 30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films -- 31. The Family in Action -- 32. The Self-Reflexive Musical and the Myth of Entertainment -- 33. The Black Gangster Film -- 34. Teen Films: The Cinematic Image of Youth -- 35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film -- 36. Global Noir: Genre Film in the Age of Transnationalism -- Bibliography -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)