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British Women Short Story Writers : The New Woman to Now / Emma Young, James Bailey.

By: Contributor(s): Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2015Description: 1 online resource (216 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781474401388
  • 9781474401395
Subject(s): LOC classification:
  • PR116 .B75 2015
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgements -- Foreword -- 1. Introduction -- 2. The Elusive Melody: Music and Trauma in New Woman Short Stories -- 3. Beyond the Haunted House? Modernist Women's Ghost Stories and the Troubling of Modernity -- 4. Potboilers or 'Glimpses' of Reality? The Cultural and the Material in the Modernist Short Story -- 5. War and the Short Story: Elizabeth Bowen -- 6. 'Haunted, whether we like it or not': The Ghost Stories of Muriel Spark -- 7. Disaggregative Character Identity and the Politics of Aesthetic In-betweenness in Angela Carter's Short Narratives -- 8. New Waves of Interest: Women's Short Story Writing in the Late Twentieth Century -- 9. Feminist F(r)iction: Short Stories and Postfeminist Politics at the Millennial Moment -- 10. Class as Destiny in the Short Stories of Tessa Hadley -- 11. Address, Temporality and Misdelivery: The Postal Effects of Ali Smith's Short Stories -- 12. Housewives and Half-Stories: A Question of Genre and Gender in Microfiction -- 13. Postscript: British Women's Short Story Writing -- Contributor Biographies -- Index
Summary: Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.What is the relationship between the British woman writer and the short story? Considering the effect of literary inheritances, societal and cultural change, and shifting publishing demands, this collection traces the evolution of the genre through to its continued appeal to women writing today; from the New Woman to contemporary feminisms, women's anthologies to micro fiction, and modernist writers to the contemporary works.Key Features A foreword by Ali Smith and 12 chapters discuss a range of gender and genre issues since the fin-de-siècle to the present day.A comprehensive account of the genre's development provides a unique insight into a largely neglected aspect of women's writing.Sets out a clear trajectory to map both the historical and literary connections and divergences between British women short story writers. Offers a comprehensive account of the genre's development to provide scholars with a unique insight into a largely neglected aspect of women's writing.Includes new readings of canonical authors alongside more recent theoretical approaches, innovations and lesser-discussed writers.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474401395

Frontmatter -- Contents -- Acknowledgements -- Foreword -- 1. Introduction -- 2. The Elusive Melody: Music and Trauma in New Woman Short Stories -- 3. Beyond the Haunted House? Modernist Women's Ghost Stories and the Troubling of Modernity -- 4. Potboilers or 'Glimpses' of Reality? The Cultural and the Material in the Modernist Short Story -- 5. War and the Short Story: Elizabeth Bowen -- 6. 'Haunted, whether we like it or not': The Ghost Stories of Muriel Spark -- 7. Disaggregative Character Identity and the Politics of Aesthetic In-betweenness in Angela Carter's Short Narratives -- 8. New Waves of Interest: Women's Short Story Writing in the Late Twentieth Century -- 9. Feminist F(r)iction: Short Stories and Postfeminist Politics at the Millennial Moment -- 10. Class as Destiny in the Short Stories of Tessa Hadley -- 11. Address, Temporality and Misdelivery: The Postal Effects of Ali Smith's Short Stories -- 12. Housewives and Half-Stories: A Question of Genre and Gender in Microfiction -- 13. Postscript: British Women's Short Story Writing -- Contributor Biographies -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.What is the relationship between the British woman writer and the short story? Considering the effect of literary inheritances, societal and cultural change, and shifting publishing demands, this collection traces the evolution of the genre through to its continued appeal to women writing today; from the New Woman to contemporary feminisms, women's anthologies to micro fiction, and modernist writers to the contemporary works.Key Features A foreword by Ali Smith and 12 chapters discuss a range of gender and genre issues since the fin-de-siècle to the present day.A comprehensive account of the genre's development provides a unique insight into a largely neglected aspect of women's writing.Sets out a clear trajectory to map both the historical and literary connections and divergences between British women short story writers. Offers a comprehensive account of the genre's development to provide scholars with a unique insight into a largely neglected aspect of women's writing.Includes new readings of canonical authors alongside more recent theoretical approaches, innovations and lesser-discussed writers.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)