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Writing Nature in Cold War American Literature / Sarah Daw.

By: Material type: TextTextSeries: Modern American Literature and the New Twentieth Century : MALN20CPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2018Description: 1 online resource (264 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781474430043
Subject(s): DDC classification:
  • 801/.95
LOC classification:
  • PN98.E36 D39 2018
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- Introduction: Ecocriticism and the Mid-Twentieth Century -- 1 Attaining fana in Paul Bowles’s Infinite Landscapes -- 2 Nature and the Nuclear Southwest: Peggy Pond Church and J. Robert Oppenheimer -- 3 The Influence of Chinese and Japanese Literature on J. D. Salinger’s Philosophy of Nature -- 4 The Beat Ecologies of Allen Ginsberg and Jack Kerouac -- 5 Bifurcated Nature in Mary McCarthy’s Birds of America -- Conclusion: ‘Know that the earth will madonna the Bomb’ -- NOTES -- INDEX
Summary: First book-length ecocritical study of Cold War American literatureCompelling analyses of the function and representation of Nature in a wide range of Cold War fiction and poetry by authors including Paul Bowles, J. D. Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthy reveals the prevalence of portrayals of Nature as an infinite, interdependent system in American literature written between 1945 and 1971.Daw astutely highlights the Cold War’s often overlooked role in environmental history and argues that Rachel Carson’s Silent Spring (1962) can be considered as part of a trend of increasingly ecological depictions of Nature in literature written after 1945. By exploring the most recent developments in the field of ecocriticism, the book is embedded within current ecocritical debates concerning the Anthropocene and anthropogenic climate change.Key FeaturesContains five case studies of six Cold War writers: Paul Bowles, Peggy Pond Church, J. D. Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthyOffers an in-depth exploration of the influences behind each writer’s presentation of NatureShows the Cold War to be a time of seismic change in the human’s relationship to the environment, and demonstrates the degree to which this inflects Cold War literatureEngages with the most recent developments in the field of ecocriticism, which drive the study’s analytical methodology and embed the book within current ecocritical debates
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474430043

Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- Introduction: Ecocriticism and the Mid-Twentieth Century -- 1 Attaining fana in Paul Bowles’s Infinite Landscapes -- 2 Nature and the Nuclear Southwest: Peggy Pond Church and J. Robert Oppenheimer -- 3 The Influence of Chinese and Japanese Literature on J. D. Salinger’s Philosophy of Nature -- 4 The Beat Ecologies of Allen Ginsberg and Jack Kerouac -- 5 Bifurcated Nature in Mary McCarthy’s Birds of America -- Conclusion: ‘Know that the earth will madonna the Bomb’ -- NOTES -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

First book-length ecocritical study of Cold War American literatureCompelling analyses of the function and representation of Nature in a wide range of Cold War fiction and poetry by authors including Paul Bowles, J. D. Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthy reveals the prevalence of portrayals of Nature as an infinite, interdependent system in American literature written between 1945 and 1971.Daw astutely highlights the Cold War’s often overlooked role in environmental history and argues that Rachel Carson’s Silent Spring (1962) can be considered as part of a trend of increasingly ecological depictions of Nature in literature written after 1945. By exploring the most recent developments in the field of ecocriticism, the book is embedded within current ecocritical debates concerning the Anthropocene and anthropogenic climate change.Key FeaturesContains five case studies of six Cold War writers: Paul Bowles, Peggy Pond Church, J. D. Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthyOffers an in-depth exploration of the influences behind each writer’s presentation of NatureShows the Cold War to be a time of seismic change in the human’s relationship to the environment, and demonstrates the degree to which this inflects Cold War literatureEngages with the most recent developments in the field of ecocriticism, which drive the study’s analytical methodology and embed the book within current ecocritical debates

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)