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W. G. Sebald : History - Memory - Trauma / ed. by Scott Denham, Mark McCulloh.

Contributor(s): Material type: TextTextSeries: Interdisciplinary German Cultural Studies ; 1Publisher: Berlin ; Boston : De Gruyter, [2008]Copyright date: ©2006Description: 1 online resource (382 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110182743
  • 9783110201949
Subject(s): DDC classification:
  • 833.914
LOC classification:
  • PT2681
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Table of Contents -- Foreword: The Sebald Phenomenon -- Introduction: Two Languages, Two Audiences: The -- Tandem Literary OEuvres of W.G. Sebald -- Introduction and Transcript of an interview given -- by Max Sebald -- Section 1: Contexts & Influences -- Kafka, Nabokov … Sebald: Intertextuality and -- Narratives of Redemption in Vertigo and The Emigrants -- Sebald’s Pathographies -- Sebald’s Elective and Other Affinities -- In the Weavers’ Web: An Intertextual Approachto -- W.G. Sebald and Laurence Sterne -- Sebald’s Kafka -- Sebald’s Amateurs -- Section 2: Narrative and Style -- “A Time He Could Not Bear to Say Any More About”: -- Presence and Absence of the Narrator in W.G. Sebald’s The -- Emigrants -- The Task of the Narrator: Moments of Symbolic -- Investiture in W.G. Sebald’s Austerlitz -- “Egg boxes stacked in a crate”: Narrative Status -- and its Implications -- Speak no Evil, Write no Evil: In Search of a Usable -- Language of Destruction -- On Exposure: Photography and Uncanny Memory in W.G. -- Sebald’s Die Ausgewanderten and Austerlitz -- Realism, Photography,and Degrees of -- Uncertainty -- Section 3: History and Trauma -- The Dystopian Entwinement of Histories and -- Identities in W.G. Sebald’s Austerlitz -- Transcripts: An Ethics of Representation in The -- Emigrants -- Landscape and Memory: Sebald’s Redemption of -- History -- The Holocaust as the Still Point of the World in -- W.G. Sebald’s The Emigrants -- W.G. Sebald’s Twentieth-Century Histories -- Going Astray: Melancholy, Natural History, and the -- Image of Exile in W.G. Sebald’s Austerlitz -- No Foothold. Institutions and Buildings in W.G. -- Sebald’s Prose -- The Experience of Destruction: W.G. Sebald, the -- Airwar, and Literature -- W.G. Sebald and Structures of Testimony and Trauma: -- There are Spots of Mist That No Eye can Dispel -- Backmatter
Summary: Dieser Band bietet Beiträge zu allen Aspekten des Werks von W. G. Sebald. Herausgegeben von US-amerikanischen Sebald-Experten eröffnet der Band die neue Reihe „Interdisciplinary German Cultural Studies".Summary: The novelist, poet, and essayist W. G. Sebald (1944 – 2001) was perhaps the most original German writer of the last decade of the 20th century (“Die Ausgewanderten”, “Austerlitz”, “Luftkrieg und Literatur”). His writing is marked by a unique ‘hybridity’ that combines characteristics of travelogue, cultural criticism, crime story, historical essay, and dream diary, among other genres. He employs layers of literary and motion picture allusions that contribute to a sometimes enigmatic, sometimes intimately familiar mood; his dominant mode is melancholy. The contributions of this anthology examine W. G. Sebald as narrator and pensive observer of history. The book includes a previously unpublished interview with Sebald from 1998.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110201949

Frontmatter -- Table of Contents -- Foreword: The Sebald Phenomenon -- Introduction: Two Languages, Two Audiences: The -- Tandem Literary OEuvres of W.G. Sebald -- Introduction and Transcript of an interview given -- by Max Sebald -- Section 1: Contexts & Influences -- Kafka, Nabokov … Sebald: Intertextuality and -- Narratives of Redemption in Vertigo and The Emigrants -- Sebald’s Pathographies -- Sebald’s Elective and Other Affinities -- In the Weavers’ Web: An Intertextual Approachto -- W.G. Sebald and Laurence Sterne -- Sebald’s Kafka -- Sebald’s Amateurs -- Section 2: Narrative and Style -- “A Time He Could Not Bear to Say Any More About”: -- Presence and Absence of the Narrator in W.G. Sebald’s The -- Emigrants -- The Task of the Narrator: Moments of Symbolic -- Investiture in W.G. Sebald’s Austerlitz -- “Egg boxes stacked in a crate”: Narrative Status -- and its Implications -- Speak no Evil, Write no Evil: In Search of a Usable -- Language of Destruction -- On Exposure: Photography and Uncanny Memory in W.G. -- Sebald’s Die Ausgewanderten and Austerlitz -- Realism, Photography,and Degrees of -- Uncertainty -- Section 3: History and Trauma -- The Dystopian Entwinement of Histories and -- Identities in W.G. Sebald’s Austerlitz -- Transcripts: An Ethics of Representation in The -- Emigrants -- Landscape and Memory: Sebald’s Redemption of -- History -- The Holocaust as the Still Point of the World in -- W.G. Sebald’s The Emigrants -- W.G. Sebald’s Twentieth-Century Histories -- Going Astray: Melancholy, Natural History, and the -- Image of Exile in W.G. Sebald’s Austerlitz -- No Foothold. Institutions and Buildings in W.G. -- Sebald’s Prose -- The Experience of Destruction: W.G. Sebald, the -- Airwar, and Literature -- W.G. Sebald and Structures of Testimony and Trauma: -- There are Spots of Mist That No Eye can Dispel -- Backmatter

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Dieser Band bietet Beiträge zu allen Aspekten des Werks von W. G. Sebald. Herausgegeben von US-amerikanischen Sebald-Experten eröffnet der Band die neue Reihe „Interdisciplinary German Cultural Studies".

The novelist, poet, and essayist W. G. Sebald (1944 – 2001) was perhaps the most original German writer of the last decade of the 20th century (“Die Ausgewanderten”, “Austerlitz”, “Luftkrieg und Literatur”). His writing is marked by a unique ‘hybridity’ that combines characteristics of travelogue, cultural criticism, crime story, historical essay, and dream diary, among other genres. He employs layers of literary and motion picture allusions that contribute to a sometimes enigmatic, sometimes intimately familiar mood; his dominant mode is melancholy. The contributions of this anthology examine W. G. Sebald as narrator and pensive observer of history. The book includes a previously unpublished interview with Sebald from 1998.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)