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Russian TV Series in the Era of Transition : Genres, Technologies, Identities / ed. by Elena Prokhorova, Rimgaila Salys, Alexander Prokhorov.

Contributor(s): Material type: TextTextSeries: Film and Media StudiesPublisher: Boston, MA : Academic Studies Press, [2021]Copyright date: ©2021Description: 1 online resource (280 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781644696439
  • 9781644696453
Subject(s): LOC classification:
  • PN1992.3.R8
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Note on Transliteration -- Introduction -- The Cultural Euphemism of Kul′tura: Soviet Nostalgia on the Russia-K Channel -- The Great Patriotic Serial: Penal Battalion (Shtrafbat), Historical Taboos, and the Beginnings of the New National Idea -- Orlova and Aleksandrov Redux: The TV Series -- Putin-Era Television Productions about Catherine the Great: Active Measures as Period Drama -- Between Pornography and Nostalgia: Valery Todorovsky’s The Thaw (Ottepel′) -- The State of Affairs: Screwing Family Values in Putin’s Russia -- Glocalizing Neo-Noir: Iury Bykov’s The Method and Sleepers -- Queer Families: Gender, Sexuality, and the Neoliberal State on Russian Television -- The Web Series Bitches (Stervochki) and Post-Legacy Television in Russia -- Interviews -- Television Producer and Showrunner -- Producer and Studio Executive -- Scriptwriter and Film Critic -- Director and Scriptwriter -- Producer, Showrunner, and Scriptwriter -- Contributors -- Index
Summary: Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781644696453

Frontmatter -- Contents -- Note on Transliteration -- Introduction -- The Cultural Euphemism of Kul′tura: Soviet Nostalgia on the Russia-K Channel -- The Great Patriotic Serial: Penal Battalion (Shtrafbat), Historical Taboos, and the Beginnings of the New National Idea -- Orlova and Aleksandrov Redux: The TV Series -- Putin-Era Television Productions about Catherine the Great: Active Measures as Period Drama -- Between Pornography and Nostalgia: Valery Todorovsky’s The Thaw (Ottepel′) -- The State of Affairs: Screwing Family Values in Putin’s Russia -- Glocalizing Neo-Noir: Iury Bykov’s The Method and Sleepers -- Queer Families: Gender, Sexuality, and the Neoliberal State on Russian Television -- The Web Series Bitches (Stervochki) and Post-Legacy Television in Russia -- Interviews -- Television Producer and Showrunner -- Producer and Studio Executive -- Scriptwriter and Film Critic -- Director and Scriptwriter -- Producer, Showrunner, and Scriptwriter -- Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)