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Jane Austen and Comedy / ed. by Erin Goss.

Contributor(s): Material type: TextTextSeries: Transits: Literature, Thought & Culture 1650-1850Publisher: Lewisburg, PA : Bucknell University Press, [2021]Copyright date: ©2019Description: 1 online resource (250 p.) : 6Content type:
Media type:
Carrier type:
ISBN:
  • 9781684480814
Subject(s): DDC classification:
  • 823.7 23
LOC classification:
  • PR4037
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Abbreviations -- Introduction: Jane Austen and Comedy -- Contributors -- PART ONE : Comic Energy and Explosive Humor -- 1 Austen, Philosophy, and Comic Stylistics -- 2 Jane Austen: Comedy against Happiness -- 3 “Open-Hearted”: Persuasion and the Cultivation of Good Humor -- PART TWO : (Emma’s) Laughter with a Purpose -- 4 After the Laughter: Seeking Perfect Happiness in Emma -- 5 The Comic Visions of Emma Woodhouse -- PART THREE : Comedic Form, Comedic Effect -- 6 On Austen, Comedy, and Future Possibility -- 7 Lost in the Comedy: Austen’s Paternalistic Men and the Problem of Accountability -- 8 Sense, Sensibility, Sea Monsters, and Carnivalesque Caricature -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index
Summary: Jane Austen and Comedy takes for granted two related notions. First, Jane Austen’s books are funny; they induce laughter, and that laughter is worth attending to for a variety of reasons. Second, Jane Austen’s books are comedies, understandable both through the generic form that ends in marriage after the potential hilarity of romantic adversity and through a more general promise of wish fulfillment. In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy. Jane Austen and Comedy invites reflection not only on her inclusion of laughter and humor, the comic, jokes, wit, and all the other topics that can so readily be grouped under the broad umbrella that is comedy, but also on the idea or form of comedy itself, and on the way that this form may govern our thinking about many things outside the realm of Austen’s work. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781684480814

Frontmatter -- CONTENTS -- Abbreviations -- Introduction: Jane Austen and Comedy -- Contributors -- PART ONE : Comic Energy and Explosive Humor -- 1 Austen, Philosophy, and Comic Stylistics -- 2 Jane Austen: Comedy against Happiness -- 3 “Open-Hearted”: Persuasion and the Cultivation of Good Humor -- PART TWO : (Emma’s) Laughter with a Purpose -- 4 After the Laughter: Seeking Perfect Happiness in Emma -- 5 The Comic Visions of Emma Woodhouse -- PART THREE : Comedic Form, Comedic Effect -- 6 On Austen, Comedy, and Future Possibility -- 7 Lost in the Comedy: Austen’s Paternalistic Men and the Problem of Accountability -- 8 Sense, Sensibility, Sea Monsters, and Carnivalesque Caricature -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index

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http://purl.org/coar/access_right/c_16ec

Jane Austen and Comedy takes for granted two related notions. First, Jane Austen’s books are funny; they induce laughter, and that laughter is worth attending to for a variety of reasons. Second, Jane Austen’s books are comedies, understandable both through the generic form that ends in marriage after the potential hilarity of romantic adversity and through a more general promise of wish fulfillment. In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy. Jane Austen and Comedy invites reflection not only on her inclusion of laughter and humor, the comic, jokes, wit, and all the other topics that can so readily be grouped under the broad umbrella that is comedy, but also on the idea or form of comedy itself, and on the way that this form may govern our thinking about many things outside the realm of Austen’s work. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)