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From the Edge : Chicana/o Border Literature and the Politics of Print / Allison E. Fagan.

By: Material type: TextTextSeries: Latinidad: Transnational Cultures in thePublisher: New Brunswick, NJ : Rutgers University Press, [2016]Copyright date: ©2016Description: 1 online resource (212 p.) : 2 photographs, 3 figuresContent type:
Media type:
Carrier type:
ISBN:
  • 9780813583808
  • 9780813583907
Subject(s): DDC classification:
  • 810.9/86872 23
LOC classification:
  • PS153.M4 F34 2016
  • PS153.M4 F34 2016eb
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Preface -- Introduction -- 1. "A Touch-Up Here and There": Authorial Revisions and Their Paratexts -- 2. Translating in the Margins: Transcultural Glossaries -- 3. Making Language Visible: Transcultural Typography -- 4. "My Book Has Seen the Light of Day": The Editorial Paratexts of Recovery Projects -- 5. In the Margins: Readers Writing on The House on Mango Street -- Conclusion -- Notes -- Works Cited -- Index
Summary: Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors' words-from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers' blurbs-have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780813583907

Frontmatter -- Contents -- Preface -- Introduction -- 1. "A Touch-Up Here and There": Authorial Revisions and Their Paratexts -- 2. Translating in the Margins: Transcultural Glossaries -- 3. Making Language Visible: Transcultural Typography -- 4. "My Book Has Seen the Light of Day": The Editorial Paratexts of Recovery Projects -- 5. In the Margins: Readers Writing on The House on Mango Street -- Conclusion -- Notes -- Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors' words-from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers' blurbs-have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)