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Performing Fear in Television Production : Practices of an Illiberal Democracy / Siao Yuong Fong.

By: Material type: TextTextSeries: Asian Visual Cultures ; 13Publisher: Amsterdam : Amsterdam University Press, [2022]Copyright date: ©2022Description: 1 online resource (212 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9789463724579
  • 9789048555604
Subject(s): DDC classification:
  • 302.2345 23
LOC classification:
  • PN1992.6 .F6 2023
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Table of Contents -- Acknowledgements -- Introduction -- 1 Fear and the Fragility of Myths -- 2 Playing Games with Heritage -- 3 Drama Writing and Audiences as Affective Superaddressee -- 4 Producing Art, Producing Difference -- 5 Making Reality TV: The Pleasures of Disciplining in a Control Society -- Reflections -- References -- Index
Summary: What goes into the ideological sustenance of an illiberal capitalist democracy? While much of the critical discussion of the media in authoritarian contexts focus on state power, the emphasis on strong states tend to perpetuate misnomers about the media as mere tools of the state and sustain myths about their absolute power. Turning to the lived everyday of media producers in Singapore, I pose a series of questions that explore what it takes to perpetuate authoritarian resilience in the mass media. How, in what terms and through what means, does a politically stable illiberal Asian state like Singapore formulate its dominant imaginary of social order? What are the television production practices that perform and instantiate the social imaginary, and who are the audiences that are conjured and performed in the process? What are the roles played by imagined audiences in sustaining authoritarian resilience in the media? If, as I will argue in the book, audiences function as the central problematic that engenders anxieties and self-policing amongst producers, can the audience become a surrogate for the authoritarian state?
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9789048555604

Frontmatter -- Table of Contents -- Acknowledgements -- Introduction -- 1 Fear and the Fragility of Myths -- 2 Playing Games with Heritage -- 3 Drama Writing and Audiences as Affective Superaddressee -- 4 Producing Art, Producing Difference -- 5 Making Reality TV: The Pleasures of Disciplining in a Control Society -- Reflections -- References -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

What goes into the ideological sustenance of an illiberal capitalist democracy? While much of the critical discussion of the media in authoritarian contexts focus on state power, the emphasis on strong states tend to perpetuate misnomers about the media as mere tools of the state and sustain myths about their absolute power. Turning to the lived everyday of media producers in Singapore, I pose a series of questions that explore what it takes to perpetuate authoritarian resilience in the mass media. How, in what terms and through what means, does a politically stable illiberal Asian state like Singapore formulate its dominant imaginary of social order? What are the television production practices that perform and instantiate the social imaginary, and who are the audiences that are conjured and performed in the process? What are the roles played by imagined audiences in sustaining authoritarian resilience in the media? If, as I will argue in the book, audiences function as the central problematic that engenders anxieties and self-policing amongst producers, can the audience become a surrogate for the authoritarian state?

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)