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Aesthetic Illusion : Theoretical and Historical Approaches / hrsg. von Frederick Burwick, Walter Pape.

Contributor(s): Material type: TextTextPublisher: Berlin ; Boston : De Gruyter, [2012]Copyright date: ©1990Edition: Reprint 2012Description: 1 online resource (478 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110117509
  • 9783110884937
Subject(s): DDC classification:
  • 111/.85 20
LOC classification:
  • BH19 .A46 1990
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
i-iv -- Foreword -- Contents -- Aesthetic Illusion -- Illusion and the Cognitive Sciences -- The Illusion of ‘Illusion’ -- Synaesthesia: Perception and Metaphor -- The Aesthetics of Communication and the Reproduction of Cultural Forms: The Case of Tourist Art -- Aesthetics and the Referentiality of Symbols and Signs -- Looking at Animals Looking: Art, Illusion, and Power -- Aesthetic and Illusion of Daily Life -- Fiction: On the Fate of a Concept Between Philosophy and Literary Theory -- Aesthetic Illusion in the Eighteenth Century -- The Grotesque: Illusion vs. Delusion -- Illusion and Imagination: Derrida’s Parergon and Coleridge’s Aid to Reflection. Revisionary readings of Kantian formalist aesthetics -- “Fantastic” Images: From Unenlightening to Enlightening “Appearances” Meant to Be Seen in the Dark -- Illusion and Literary Genre -- Representation in Words and in Drama: The Illusion of the Natural Sign -- Making and Breaking Dramatic Illusion -- Comic Illusion and Illusion in Comedy: The Discourse of Emotional Freedom -- Appearance in Poetry: Lyric Illusion? -- Epistolary Fiction and Its Impact on Readers: Reality and Illusion -- Illusion and Narrative Technique: The Nineteenth-Century Historical Novel Between Truth and Fiction -- Illusion and Breaking Illusion in Twentieth-Century Fiction -- Historical Changes in the Literary Uses of Illusions -- “And Mock Our Eyes with Air”: Air and Stage Illusion in Shakespearean Drama -- Double Plotting in Shakespeare’s Comedies: The Case of Twelfth Night -- Illusion and Spiritual Perception in Donne’s Poetry -- Imagination and Illusion in English Romanticism -- “The Picture of the Mind”: Eidetic Images and Pictorial Projection in Wordsworth -- ‘Verfremdung’ and Illusion in Brecht’s Drama -- Sam Shepard, Anti-Illusion, and Metadrama: Plays on Writing, Acting, and Character -- Bibliography -- Notes on Contributors -- List of Illustrations -- Index -- 479-482
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110884937

i-iv -- Foreword -- Contents -- Aesthetic Illusion -- Illusion and the Cognitive Sciences -- The Illusion of ‘Illusion’ -- Synaesthesia: Perception and Metaphor -- The Aesthetics of Communication and the Reproduction of Cultural Forms: The Case of Tourist Art -- Aesthetics and the Referentiality of Symbols and Signs -- Looking at Animals Looking: Art, Illusion, and Power -- Aesthetic and Illusion of Daily Life -- Fiction: On the Fate of a Concept Between Philosophy and Literary Theory -- Aesthetic Illusion in the Eighteenth Century -- The Grotesque: Illusion vs. Delusion -- Illusion and Imagination: Derrida’s Parergon and Coleridge’s Aid to Reflection. Revisionary readings of Kantian formalist aesthetics -- “Fantastic” Images: From Unenlightening to Enlightening “Appearances” Meant to Be Seen in the Dark -- Illusion and Literary Genre -- Representation in Words and in Drama: The Illusion of the Natural Sign -- Making and Breaking Dramatic Illusion -- Comic Illusion and Illusion in Comedy: The Discourse of Emotional Freedom -- Appearance in Poetry: Lyric Illusion? -- Epistolary Fiction and Its Impact on Readers: Reality and Illusion -- Illusion and Narrative Technique: The Nineteenth-Century Historical Novel Between Truth and Fiction -- Illusion and Breaking Illusion in Twentieth-Century Fiction -- Historical Changes in the Literary Uses of Illusions -- “And Mock Our Eyes with Air”: Air and Stage Illusion in Shakespearean Drama -- Double Plotting in Shakespeare’s Comedies: The Case of Twelfth Night -- Illusion and Spiritual Perception in Donne’s Poetry -- Imagination and Illusion in English Romanticism -- “The Picture of the Mind”: Eidetic Images and Pictorial Projection in Wordsworth -- ‘Verfremdung’ and Illusion in Brecht’s Drama -- Sam Shepard, Anti-Illusion, and Metadrama: Plays on Writing, Acting, and Character -- Bibliography -- Notes on Contributors -- List of Illustrations -- Index -- 479-482

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Issued also in print.

Mode of access: Internet via World Wide Web.

In German.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)