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Patterns for America : Modernism and the Concept of Culture / Susan Hegeman.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [1999]Copyright date: ©1999Edition: Core TextbookDescription: 1 online resource (274 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691001340
  • 9781400823222
Subject(s): DDC classification:
  • 810.9/112
LOC classification:
  • PS228.M63H44 1999
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction. The Domestication of Culture -- 1. Modernism, Anthropology, Culture -- 2. Dry Salvages: Spatiality, Nationalism, and the Invention of an "Anthropological" Culture -- 3. The National Genius: Van Wyck Brooks, Edward Sapir, and the Problem of the Individual -- 4. Terrains of Culture: Ruth Benedict, Waldo Frank, and the Spatialization of the Culture Concept -- 5. The Culture of the Middle: Class, Taste, and Region in the 1930s Politics of Art -- 6. "Beyond Relativity": James Agee and Others, Toward the Cold War -- 7. On Getting Rid of Culture: An Inconclusive Conclusion -- Notes -- Index
Summary: In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and "primitive" peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American "culture." She also shows the connections between this new view of "culture" and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400823222

Frontmatter -- Contents -- Acknowledgments -- Introduction. The Domestication of Culture -- 1. Modernism, Anthropology, Culture -- 2. Dry Salvages: Spatiality, Nationalism, and the Invention of an "Anthropological" Culture -- 3. The National Genius: Van Wyck Brooks, Edward Sapir, and the Problem of the Individual -- 4. Terrains of Culture: Ruth Benedict, Waldo Frank, and the Spatialization of the Culture Concept -- 5. The Culture of the Middle: Class, Taste, and Region in the 1930s Politics of Art -- 6. "Beyond Relativity": James Agee and Others, Toward the Cold War -- 7. On Getting Rid of Culture: An Inconclusive Conclusion -- Notes -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and "primitive" peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American "culture." She also shows the connections between this new view of "culture" and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)