Library Catalog
Amazon cover image
Image from Amazon.com

From Realism to the Silver Age : New Studies in Russian Artistic Culture / Margaret Samu; ed. by Rosalind Blakesley.

By: Contributor(s): Material type: TextTextSeries: NIU Series in Slavic, East European, and Eurasian StudiesPublisher: Ithaca, NY : Cornell University Press, [2014]Copyright date: ©2014Description: 1 online resource (230 p.) : 48 illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781501757044
Subject(s): DDC classification:
  • 709.47/09034 23
LOC classification:
  • N6987.5.R4 F76 2014eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Elizabeth Kridl Valkenier and the World of Russian Art -- Introduction -- 1. Academic Foot Soldier or Nationalist Warhorse? The Moscow School of Painting and Sculpture, 1843-1861 -- 2. The Brothers Konstantin and Vladimir Makovskii: One Family, Two Fales -- 3. Making a Case for Realism: )Jze Female Nude in Russian Satirical Images of the .1860s -- 4. The Abramtsevo Circle: Founding and Aesthetic Direction -- 5. Tolstoy, Ge, and Two Pilates: A Tale of the lntemrts -- 6. Painting History, Realistically: Murder at the Tretiakov -- 7. The Contemporary Reception of Ilia Repin's Solo Exhibition of 1891 -- 8. Pavel Tretiakov's Icons -- 9. Closing the Books on Peredvizhnichestvo: Mir Iskusstva's Long Farewell to Russian Realism -- 10. Serov, Bakst, and the Reinvention of Russia's Classical Heritage -- 11. Between East and West: 1he Search j(Jr National Identity in Russian Illustrated Children's Books, 1800-1917 -- 12. Kandinsky's Sketch for "Composition II," 1909-1910: A Theosophical Reading -- 13. Things That Are Not: Marianne Werefkin and the Condition of Silence -- Contributors -- Index
Summary: This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781501757044

Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Elizabeth Kridl Valkenier and the World of Russian Art -- Introduction -- 1. Academic Foot Soldier or Nationalist Warhorse? The Moscow School of Painting and Sculpture, 1843-1861 -- 2. The Brothers Konstantin and Vladimir Makovskii: One Family, Two Fales -- 3. Making a Case for Realism: )Jze Female Nude in Russian Satirical Images of the .1860s -- 4. The Abramtsevo Circle: Founding and Aesthetic Direction -- 5. Tolstoy, Ge, and Two Pilates: A Tale of the lntemrts -- 6. Painting History, Realistically: Murder at the Tretiakov -- 7. The Contemporary Reception of Ilia Repin's Solo Exhibition of 1891 -- 8. Pavel Tretiakov's Icons -- 9. Closing the Books on Peredvizhnichestvo: Mir Iskusstva's Long Farewell to Russian Realism -- 10. Serov, Bakst, and the Reinvention of Russia's Classical Heritage -- 11. Between East and West: 1he Search j(Jr National Identity in Russian Illustrated Children's Books, 1800-1917 -- 12. Kandinsky's Sketch for "Composition II," 1909-1910: A Theosophical Reading -- 13. Things That Are Not: Marianne Werefkin and the Condition of Silence -- Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)